Tatu’s Lesbian Kiss Too Controversial

Tuesday, February 4th, 2003

I assume it’s pretty tame if you see it. Calculated, but tame. Tatu’s Lesbian Kiss Too Controversial:

The BBC said Tuesday it wouldn’t be showing Russian teenage duo Tatu’s pop video which features a controversial lesbian kiss.

Tatu, who shot to the top of the UK charts Sunday with their debut British single “All the Things She Said,” have sparked fury in the British media over accusations they promote “pedo-pop” and target the “dirty old man market.”

Their video features Julia Volkova, 18, and Lena Katina, 17, wearing school uniforms, kissing and cuddling.
[...]
Ivan Shapovalov, the man behind Tatu, has admitted to various media that he came up with the idea after visiting pornographic Web Sites.

There’s also a t.A.T.u website. (Yes, that’s how they spell the band name on their own site).

Addendum: The “All the Things She Said” video is on the t.A.T.u. Screaming for More DVD.

Fried Squirrel Fails to Find Favor With Public Utilities

Tuesday, February 4th, 2003

According to Fried Squirrel Fails to Find Favor With Public Utilities, squirrels have become a serious, serious problem for electric companies:

Robin Folcik was reading the newspaper at her breakfast table one Sunday last August when the lights blinked, smoke poured from the sockets, and a charged buzz came over the room, making the hair on her arms stand up.

“I thought my house was blowing up,” recalls Ms. Folcik, a waitress in Southington, Conn.

An inquiry into the matter by Connecticut Light & Power found “remnants of a squirrel” and shards of a ceramic electrical switch at the base of utility pole #85324. The conclusion: The critter had electrocuted itself and, in so doing, triggered a massive power surge that blew out appliances and television sets all over the neighborhood.

Countermeasures haven’t worked. The squirrels are winning:

Longmont Power & Communications, which serves 35,000 customers north of Denver, says that more than 90% of its significant outages are caused by squirrels, which cut the power 393 times in 2002, up from 349 two years earlier. The increase took place despite measures Longmont has taken to thwart squirrels by banding utility poles with slippery, hard plastic.

In the past two years, the municipal electricity system in Tullahoma, Tenn., spent more than $25,000 on “Varmint Shields” — dark-gray plastic disks that look like barbecue grills — so squirrels can’t cause trouble at various hot spots, including transformers. But the utility considers the effort a “limited” success, given that it has reduced squirrel outages to 136 in 2002, from the 148 it reported in 1997.

Music Producer Phil Spector Held in Fatal Shooting

Monday, February 3rd, 2003

Just a few days ago, I was mentioning Phil Spector in a very different context. Music Producer Phil Spector Held in Fatal Shooting reports:

“Shortly after 5 o’clock this morning Alhambra officers responded to a shooting call and discovered a female shot inside of the location,” Los Angeles County Sheriff’s spokeswoman Faye Bugarin said.

“She was pronounced dead at the scene and suspect Phillip Spector (the record producer) was taken into custody and is currently being detained,” Bugarin said. “The body is still at the scene.

Beatles to Re-Release Stripped Down Album

Friday, January 31st, 2003

I feel like a bad Beatles fan. I didn’t even know that Phil “Wall of Sound” Spector produced the original “Let it Be” album. According to Beatles to Re-Release Stripped Down Album, a newly “de-Spectorized” version will come out in the fall:

The surviving Beatles are planning to re-release “Let It Be” the way they intended: stripped down. The album will have the same track listing, but it will not have the orchestration that producer Phil Spector added to it after the band broke up.

Did Shania Twain Lip-Sync Her Super Bowl Halftime Songs?

Wednesday, January 29th, 2003

I was practically certain that Shania was lip-syncing her Super Bowl performance, but Did Shania Twain Lip-Sync Her Super Bowl Halftime Songs? says otherwise:

ABC producers promised that the pop stars they recruited for this year’s Super Bowl halftime show would do their singing live — no lip-syncing allowed. But what about country star Shania Twain, who seemed to hop around the stage without missing a note?

Paul Liszewski, who produced the sound for the show, says Shania’s mic was hot and her vocals were live. (Other audio engineers who watched the broadcast agreed.) Twain’s accompaniment, however, was what’s called a “band in a box,” which means the back-up vocals and instrumentals we heard were prerecorded. So while the diva was belting out show-stoppers like “Man, I Feel Like a Woman,” her onstage drummer was thrashing away merely for effect.

I had, ahem, no doubt that we were getting live music from No Doubt and Sting, but I was wrong. Sort of:

During No Doubt and Sting’s halftime sets, we were also hearing live vocals and canned instrumentals.

But here’s the kicker. Shania did lip-sync at moments. Sort of:

For big events, even totally “live” bands have tapes standing by in case of emergency. If, say, Bono’s microphone had suddenly failed last year, an engineer in a broadcast truck equipped with an audio mixer would have quickly brought up the sound on a prerecorded version of Bono’s vocal track. If the person doing the blend did the job right, the audience would never even notice the glitch. (That explains the moment when Shania ran back to the stage after mingling with the crowd and didn’t appear to be singing, even though her vocals came through loud and clear. When Twain took too long getting back to the stage, the mixing engineer likely brought up the prerecorded vocal track, and then took it back down as Shania started to sing.)

In the Philippines, Stuntmen Take On a New, More Dangerous Role

Tuesday, January 28th, 2003

I couldn’t make this stuff up. From In the Philippines, Stuntmen Take On a New, More Dangerous Role:

Instead of diving through windows or having chairs broken over his back, Mr. Espinosa and other unemployed stuntmen free-lance for the government’s Videogram Regulatory Board for as little as $5 a day. They raid the illegal, back-alley factories that flood the streets of Manila with hundreds of thousands of pirated CDs and DVDs.

In recent years, the Philippines’ movie industry has been decimated by rampant video piracy, making gigs for stuntmen such as Mr. Espinosa few and far between.

As you can see, it’s out of their high-minded sense of propriety that Filipino stuntment protect the sanctity of intellectual property rights.

Ohio Native Finds Stardom Acting South of the Border

Monday, January 27th, 2003

Playing the foreign “heel” seems entirely too rasslin’ (or lucha libre) to me, but Roger Cudney has made a career out of it. From Ohio Native Finds Stardom Acting South of the Border:

On the recent Mexican soap opera, “Amigas y Rivales” (Friends and Rivals), Mr. Cudney was a racist South Texas rancher who caught a couple of illegal Mexican immigrants trespassing on his property, shortly after the World Trade Center attack. “Git off of my land,” the actor snarled, waving a shotgun. Then, in his distinctively accented Spanish, he ad-libbed: “Thousands of Americans have just died in New York. They shouldn’t let anyone enter my country anymore.”

On the late show or on home video, you can catch Mr. Cudney playing a sadistic American prison warden in “Con Odio en la Piel” (With Hate in the Skin) or a bloodthirsty intelligence operative in “Bano de Sangre” (Blood Bath).

He also shows up on commercials. Not long ago, in a TV ad campaign for the Mexican soft drink Aga, Mr. Cudney appeared as a scowling border patrolman combing the U.S.-Mexico frontier for illegal immigrants.
[...]
In the film, “Karateca Azteca” (Aztec Karate Fighter), Mr. Cudney plays an archaeologist, with a black belt, who turns out to be robbing ancient Mexican treasures. In the climactic scene, Mr. Cudney loses a martial-arts battle to the wimpy Capulina, an outcome that so distressed Mr. Cudney’s nine-year old son that he wouldn’t talk to his father for several days.
Mr. Cudney’s loved ones have had to get used to such humiliations. “I’ve been killed in Mexican films more ways than I can even remember,” he says. The comeuppances can be quite creative. Mr. Cudney’s characters have been smashed by a giant Aztec calendar, dropped down a water well and hurled off the deck of a yacht by a woman.

X-Claimer

Tuesday, January 21st, 2003

I recently commented on Fans Howl in Protest as Judge Decides X-Men Aren’t Human — in particular, on this excerpt:

To Brian Wilkinson, editor of the online site X-Fan, Marvel’s argument is appalling. The X-Men ? mere creatures? “This is almost unthinkable,” he says. “Marvel’s super heroes are supposed to be as human as you or I. They live in New York. They have families and go to work. And now they’re no longer human?”

It seems that Brian Wilkinson posted his own little disclaimer on X-Fan:

Disclaimer: Though it’s true that I spoke with Mr. King about this subject, I feel I should point out that my quote is taken slightly out of context. I found the decision and situation humourous and was providing what the fan reaction might be like if this were to take place within the comics themselves. A few other factual errors may also exist within the article, but Mr. King may be forgiven as he is a self-admitted ‘newbie’ to the world of the X-Men.

(Now go back and re-read that disclaimer with your best Simpsons Comic Book Guy voice.)

DVD Menu Design

Monday, January 20th, 2003

I can’t believe how useless — pretty but useless — most DVD menus are, and Don Norman, guest columnist on Alertbox, agrees with me in his (year-old) column, DVD Menu Design:

Designers of DVDs have failed to profit from the lessons of previous media: Computer software, Internet web pages, and even WAP phones. As a result, the DVD menu structure is getting more and more baroque, less and less usable, less pleasurable, less effective.

I thought I had it bad navigating through multiple menus just to get to the next episode of Buffy:

Memento, a fascinating movie, has a website-like presentation, filled with hidden words and hyperjumps to tantalizingly vague images that move about the screen. In theory, this is sophisticated hypertext, exploring the story subtleties in a non-linear fashion that mirrors the time distortion of the film. But the treatment does not live up to the theory. First, the film is actually linear, so the text fights the story it is trying to enhance. Didn’t the designer listen to the interview with the director on the very same DVD disk? Yes, the film rearranges time, linearly, in reverse (well, almost). The director carefully points out in the interview that you cannot delete or rearrange any section without destroying the entire whole. In other words, the film — unlike the commentary — is fixed in structure.

When I rented Memento, I didn’t explore the DVD — in part because we were visiting family, and they hated it. Anyway, this next bit applies to DVDs in general:

But even if you think that this is not a flaw, that a commentary can differ from the movie, the more serious flaw is that hypertext just doesn’t work on a DVD. The DVD is slow, not like a desktop PC. Finding another section on the disk takes time — measured in seconds — and so although the viewer at first marvels at the cleverness of the site, it does not take long for the marvel to deteriorate to disenchantment. “Do we have to keep going through this?” my family asked me when I patiently tried exploring the text. “Nope,” I answered, and with relief went back to the main menu.

Fans Howl in Protest as Judge Decides X-Men Aren’t Human

Monday, January 20th, 2003

It seems the alt.nerd.obsessive types have an even looser grasp on reality than I realized. From Fans Howl in Protest as Judge Decides X-Men Aren’t Human:

Marvel subsidiary Toy Biz Inc. pushed Judge Barzilay to declare its heroes nonhuman so it could win a lower duty rate on action figures imported from China in the mid-1990s. At the time, tariffs put higher duties on dolls than toys. According to the U.S. tariff code, human figures are dolls, while figures representing animals or “creatures,” such as monsters and robots, are deemed toys.

To Brian Wilkinson, editor of the online site X-Fan, Marvel’s argument is appalling. The X-Men — mere creatures? “This is almost unthinkable,” he says. “Marvel’s super heroes are supposed to be as human as you or I. They live in New York. They have families and go to work. And now they’re no longer human?”