The Times Literary Supplement dug up this old list — from 1898 — of the hundred best novels:
- Don Quixote – 1604 – Miguel de Cervantes
- The Holy War – 1682 – John Bunyan
- Gil Blas – 1715 – Alain René le Sage
- Robinson Crusoe – 1719 – Daniel Defoe
- Gulliver’s Travels – 1726 – Jonathan Swift
- Roderick Random – 1748 – Tobias Smollett
- Clarissa – 1749 – Samuel Richardson
- Tom Jones – 1749 – Henry Fielding
- Candide – 1756 – Françoise de Voltaire
- Rasselas – 1759 – Samuel Johnson
- The Castle of Otranto – 1764 – Horace Walpole
- The Vicar of Wakefield – 1766 – Oliver Goldsmith
- The Old English Baron – 1777 – Clara Reeve
- Evelina – 1778 – Fanny Burney
- Vathek – 1787 – William Beckford
- The Mysteries of Udolpho – 1794 – Ann Radcliffe
- Caleb Williams – 1794 – William Godwin
- The Wild Irish Girl – 1806 – Lady Morgan
- Corinne – 1810 – Madame de Stael
- The Scottish Chiefs – 1810 – Jane Porter
- The Absentee – 1812 – Maria Edgeworth
- Pride and Prejudice – 1813 – Jane Austen
- Headlong Hall – 1816 – Thomas Love Peacock
- Frankenstein – 1818 – Mary Shelley
- Marriage – 1818 – Susan Ferrier
- The Ayrshire Legatees – 1820 – John Galt
- Valerius – 1821 – John Gibson Lockhart
- Wilhelm Meister – 1821 – Johann Wolfgang von Goethe
- Kenilworth – 1821 – Sir Walter Scott
- Bracebridge Hall – 1822 – Washington Irving
- The Epicurean – 1822 – Thomas Moore
- The Adventures of Hajji Baba – 1824 – James Morier (“usually reckoned his best”)
- The Betrothed – 1825 – Alessandro Manzoni
- Lichtenstein – 1826 – Wilhelm Hauff
- The Last of the Mohicans – 1826 – Fenimore Cooper
- The Collegians – 1828 – Gerald Griffin
- The Autobiography of Mansie Wauch – 1828 – David M. Moir
- Richelieu – 1829 – G. P. R. James (the “first and best” novel by the “doyen of historical novelists”)
- Tom Cringle’s Log – 1833 – Michael Scott
- Mr. Midshipman Easy – 1834 – Frederick Marryat
- Le Père Goriot – 1835 – Honoré de Balzac
- Rory O’More – 1836 – Samuel Lover (another first novel, inspired by one of the author’s own ballads)
- Jack Brag – 1837 – Theodore Hook
- Fardorougha the Miser – 1839 – William Carleton (“a grim study of avarice and Catholic family life. Critics consider it the author’s finest achievement”)
- Valentine Vox – 1840 – Henry Cockton (yet another first novel)
- Old St. Paul’s – 1841 – Harrison Ainsworth
- Ten Thousand a Year – 1841 – Samuel Warren (“immensely successful”)
- Susan Hopley – 1841 – Catherine Crowe (“the story of a resourceful servant who solves a mysterious crime”)
- Charles O’Malley – 1841 – Charles Lever
- The Last of the Barons – 1843 – Bulwer Lytton
- Consuelo – 1844 – George Sand
- Amy Herbert – 1844 – Elizabeth Sewell
- Adventures of Mr. Ledbury – 1844 – Elizabeth Sewell
- Sybil – 1845 – Lord Beaconsfield (a. k. a. Benjamin Disraeli)
- The Three Musketeers – 1845 – Alexandre Dumas
- The Wandering Jew – 1845 – Eugène Sue
- Emilia Wyndham – 1846 – Anne Marsh
- The Romance of War – 1846 – James Grant (“the narrative of the 92nd Highlanders’ contribution from the Peninsular campaign to Waterloo”)
- Vanity Fair – 1847 – W. M. Thackeray
- Jane Eyre – 1847 – Charlotte Brontë
- Wuthering Heights – 1847 – Emily Brontë
- The Vale of Cedars – 1848 – Grace Aguilar
- David Copperfield – 1849 – Charles Dickens
- The Maiden and Married Life of Mary Powell – 1850 – Anne Manning (“written in a pastiche seventeenth-century style and printed with the old-fashioned typography and page layout for which there was a vogue at the period . . .”)
- The Scarlet Letter – 1850 – Nathaniel Hawthorne
- Frank Fairleigh – 1850 – Francis Smedley (“Smedley specialised in fiction that is hearty and active, with a strong line in boisterous college escapades and adventurous esquestrian exploits”)
- Uncle Tom’s Cabin – 1851 – H. B. Stowe
- The Wide Wide World – 1851 – Susan Warner (Elizabeth Wetherell)
- Nathalie – 1851 – Julia Kavanagh
- Ruth – 1853 – Elizabeth Gaskell
- The Lamplighter – 1854 – Maria Susanna Cummins
- Dr. Antonio – 1855 – Giovanni Ruffini
- Westward Ho! – 1855 – Charles Kingsley
- Debit and Credit (Soll und Haben) – 1855 – Gustav Freytag
- Tom Brown’s School-Days – 1856 – Thomas Hughes
- Barchester Towers – 1857 – Anthony Trollope
- John Halifax, Gentleman – 1857 – Dinah Mulock (a. k. a. Dinah Craik; “the best-known Victorian fable of Smilesian self-improvement”)
- Ekkehard – 1857 – Viktor von Scheffel
- Elsie Venner – 1859 – O. W. Holmes
- The Woman in White – 1860 – Wilkie Collins
- The Cloister and the Hearth – 1861 – Charles Reade
- Ravenshoe – 1861 – Henry Kingsley (“There is much confusion in the plot to do with changelings and frustrated inheritance” in this successful novel by Charles Kingsley’s younger brother, the “black sheep” of a “highly respectable” family)
- Fathers and Sons – 1861 – Ivan Turgenieff
- Silas Marner – 1861 – George Eliot
- Les Misérables – 1862 – Victor Hugo
- Salammbô – 1862 – Gustave Flaubert
- Salem Chapel – 1862 – Margaret Oliphant
- The Channings – 1862 – Ellen Wood (a. k. a. Mrs Henry Wood)
- Lost and Saved – 1863 – The Hon. Mrs. Norton
- The Schönberg-Cotta Family – 1863 – Elizabeth Charles
- Uncle Silas – 1864 – Joseph Sheridan Le Fanu
- Barbara’s History – 1864 – Amelia B. Edwards (“Confusingly for bibliographers, she was related to Matilda Betham-Edwards and possibly to Annie Edward(e)s . . .”)
- Sweet Anne Page – 1868 – Mortimer Collins
- Crime and Punishment – 1868 – Feodor Dostoieffsky
- Fromont Junior – 1874 – Alphonse Daudet
- Marmorne – 1877 – P. G. Hamerton (“written under the pseudonym Adolphus Segrave”)
- Black but Comely – 1879 – G. J. Whyte-Melville
- The Master of Ballantrae – 1889 – R. L. Stevenson
- Reuben Sachs – 1889 – Amy Levy
- News from Nowhere – 1891 – William Morris
What stands out to many people is how few of those novels are recognizable today. What stands out to me is how many of those novels are bad genre fiction — bad, but influential.