TSR Hobbies Mixes Fact And Fantasy

Monday, July 23rd, 2012

Venture capitalist Stewart Alsop II used to be editor-in-chief and executive vice-president of InfoWorld. Before that, he wrote a few proto-geeky articles for Inc., like this one on fast-growing TSR Hobbies, from 1982:

The company’s success earned TSR Hobbies the sixth position on INC.’s list of fast-growing privately held companies (see “The INC. Private 100,” December 1981). Founded in the basement of a house in 1973 and incorporated in 1975, TSR had revenues of $12.9 million and a payroll of 130 in the year ended June 30, 1981, and projects revenues of $27 million and a payroll of 170 in fiscal 1982.

The company is so profitable that it has never had to go hat in hand to bankers or other money sources to finance its spectacular growth. Though it has a $2.5-million line of credit at a Chicago bank, the company’s debt-to-equity ratio was an enviable 1-to-10 at the end of fiscal 1981. Its return on equity was 116%, and by last December, the original investment of $3,000 had grown to $3.5 million.

In their business explorations, TSR’s owners and managers have been called upon to use many of the skills that are required to play Dungeons & Dragons. “I quit playing the game about two years ago to get some objectivity,” says Kevin B. Blume, 30, chief operating officer.”I love to play, but it wasn’t that difficult to forego. Now I’m playing a much larger game called business. That’s why we’re intuitively good businessmen — because games are a great way to learn.”

[...]

For Gygax, the years between childhood and the founding of TSR were really no more than an interlude when he had to keep fantasy in the closet. He never graduated from high school, and spent 15 years as an insurance underwriter analyzing the actuarial experience of client groups. “There were too many boundaries in insurance,” he says. “All I really wanted to do was write and design fantasy games.”

In 1970, he quit his job and started living out his fantasy. He paid the bills by repairing shoes in his basement. He also got a trickle of royalties for writing and editing rules for war games, and was paid 60 cents a page for typing up the rules. In 1971, he published his own set of rules for a war game, which he called Chainmail. A year later, in the second edition, he added something called a fantasy supplement, describing an imaginative setting for playing the game.

To his surprise, all of the inquiries about Chainmail began to focus on the fantasy supplement. So in 1973, he persuaded his boyhood friend and fellow gamer Donald Kaye to borrow $1,000 against his life insurance and the two of them formed a partnership called Tactical Studies Rules (TSR). With Kaye’s money, they published a set of wargame rules for lead miniatures, called Cavaliers & Roundheads.

In January 1974, Gygax and Kaye were joined part-time by another gamer, Brian Blume, who had been a tool-and-die maker for his father’s company for five years. Blume invested an additional $2,000 and the three of them published the rules for Dungeons & Dragons. It took a year to sell the first 1,000 copies of D&D. The next January, Donald Kaye had a fatal heart attack: He had been scheduled for heart surgery, but had never told his partners. “The key to having a lot of success is enjoying what you do so you don’t mind thinking about it all the time,” says Gygax. “Donald never got a chance to participate like that in TSR.”

The partnership moved into Gygax’s basement and printed another 2,000 copies of D&D, which took only five months to sell out. “We had to compete with my shoe-repair machinery,” recalls Gygax. “But the assembly process wasn’t complicated. My wife, my kinds, and I would march around the diningroom table picking up the pieces and putting them in the box.”

In October, a newly incorporated TSR Hobbies, with Brian full-time, and the printing and assembly subcontracted, began to get serious about business. The third printing of 3,000 copies of D&D also took only five months to sell out.In the next fiscal year, 1976, the company had $300,000 in revenues. “We knew it was good,” says Gygax, “but we didn’t know just how good. We decided in 1975 to compete with Milton Bradley and Parker Brothers.”

James Maliszewski notes the complete absence of any mention of Dave Arneson.

TSR’s income statement for fiscal year 1981 caught my eye:

Net sales $9,789,376
Cost of sales 2,484,010
Gross margin 7,305,366
Selling and G&A expenses 5,599,245
Operating income 1,706,121
Other income 302,287
Net pre-tax income 2,008,408
Income taxes 955,000
Net income 1,053,408

Fastskin3

Sunday, July 22nd, 2012

The international swimming federation FINA outlawed full-body, impermeable suits in 2009, but Speedo’s Fastskin3 suits use different, still-legal techniques to improve performance:

They started at the top. “The cap and goggles are the first things that hit the water, so they can create turbulence downstream in a way that affects the performance of the suit,” said Santry.

The scientists scanned athletes to produce a three-dimensional, digital avatar. They then manipulated various parts of it — squeezing here, filling in there — and used computational fluid dynamics to calculate how each change altered drag “until we found a theoretically perfect body form.”

Take the cap. The standard model is a plain silicone bowl that wrinkles at the top. Those wrinkles, like any protuberance, create drag. But shaping a cap to the average human head shape — determined by the 3D head-scanning — minimizes wrinkles.

The new cap also has room to pack hair at the nape. That fills what is otherwise a dip between the head and the back. “That dip creates a pressure drag,” explained Santry: a region of lower pressure that ever-so-slightly sucks the swimmer backward. Packing the hair into the gap decreases that drag 3.4 percent compared to standard silicone caps.

The most hydrodynamic goggles shape — a full-face mask reminiscent of Batman’s — violates FINA rules. But the runner-up takes the water flowing over the head to the eye sockets and basically attaches that flow to the face, creating an ultra-smooth “boundary layer” of water.

Smoothness is key. Boundary layers naturally flow toward regions of low pressure, which can split up the layers and create turbulence, increasing drag. The optimal goggle design is shaped like a water droplet and turned up at the temples. “It’s unlike anything on the market,” said Santry.

The goggles cut drag 2.2 percent versus other Speedo models.

The suit redesign addressed the fact that 80 percent of the drag on swimmers comes from their shape. That meant compressing fleshy areas like the thighs, rear end and, for women, the chest, all with Lycra panels sewn into the suit.

While other suits absorb water, Fastskin3 repels it. Less weight from the suit means each stroke propels a swimmer farther. So after four years and 55,000 hours of research and testing, the complete outfit reduces drag by 16.6 percent compared to standard gear, Speedo says.

That translates into an approximately .11 percent potential increase in speed. Not huge, but then the difference between winning gold and silver can be thousandths of a second. At Beijing, American Michael Phelps finished 0.01 second ahead of Serbia’s Milorad Cavic in the 100 meter butterfly. Phelps will be wearing Fastskin3, as will team mate Tyler Clary and Britain’s Rebecca Adlington./blockquote>

How Fedor Emelianenko Made Josh Rosenblatt Love MMA

Saturday, July 21st, 2012

Josh Rosenblatt explains how Fedor Emelianenko made him love MMA:

A few years ago I read an article in ESPN magazine about back-alley bareknuckle-boxing king-turned-prizefighter Kimbo Slice. Despite a lifelong aversion to violence, I was curious about the YouTube streetfights that had made Slice so famous, and after watching him pound down a rag-tag assortment of street toughs I decided (as I’m sure many did) that he must be the toughest man in the world, impervious to pain and impossible to defeat.

Then I went back to reading the ESPN profile and learned that a lot of professional MMA fighters thought Slice was a joke who wouldn’t last two minutes in a real fighting ring. I couldn’t even begin to imagine a world where that was possible, not after what I had witnessed. So I once again set my squeamishness aside and starting watching any MMA videos I could find.

It didn’t take long before I stumbled upon footage of a stone-faced Russian Everyman who, in fight after fight, did away with his opponents with a bizarre calm. This man didn’t live up to any of my preconceived notions about cage-fighters. He had no tattoos. He didn’t seem to relish causing pain. He didn’t brag, he didn’t boast, he barely even seemed to speak. He appeared to be entirely free of muscles, his body covered in a thick layer of flab. After beating former UFC champion Mark Coleman’s face into a bloody mess, he cheerfully patted Coleman’s small children on the head, as if to assure them that he wasn’t a monster but an avuncular figure in tight shorts. I read stories about this quiet family man from a frozen town somewhere in rural Russia who trained by dragging anvils around the forest and spending hours purging himself in a ramshackle homemade bathhouse, and who sought religious guidance from a Russian Orthodox priest who looked like a character from a Dostoyevsky novel. And I became fascinated by his fights.

That sounds a lot like how Royce Gracie made people love NHB.

Premier Night

Friday, July 20th, 2012

One of the most popular stages at Smith & Wesson’s IDPA Indoor Nationals was Premier Night:

This was one of the stages designed and staffed by the Coast Guard Combat Arms Team made up of cadets from the Coast Guard Academy. These fine young men and women are not only great examples of our armed forces; they are enthusiastic shooters and SO’s.

Premier Night had you working on a guard detail at a movie premier. You started by engaging a static target and then moved parallel to the back of the range down a row of theater seats.. This activated a fast mover that ran parallel to you forcing you to engage while you both were in motion. You then finished by taking a knee at the end of the row and engaging two more targets while avoiding the non-threats.

All targets required 3 hits which was very tough to get on the mover. Although only a 12 round course, you were really challenged by the use of vision barriers and the mover. Add to this that the mover ran in front of a screen that actually had a movie being projected on it and you have a great stage.

How to Be a Modern-Day Dictator

Friday, July 20th, 2012

Hari Sreenivasan explains how to be a modern-day dictator:

Putin chooses to send tax inspectors or health inspectors to close down or shutter a dissident group.

In Venezuela, laws are written broadly and then used like a scalpel against any group that is deemed a threat. The Chinese Communist Party frequently refers to democracy and makes sure that all of its top leaders only serve two terms. There are all sorts of different ways in which regimes are finding how to move and navigate through forces that challenge their regimes that make them appear to be other than what they are.

[...]

I was in China about 10 days after Mubarak fell.

And it was an incredible moment, because, on the one hand, there was no visible sign of revolution, but there was a tremendous tension. And there had been a call for people to assemble at different points around China at a particular moment on a particular day.

And the regime knew that. I went to one of those spots at 2:00 p.m. on that Sunday, and it was an incredible thing. You saw the fear that the regime exhibited by just the sheer number of police that were present. But more than the police were the number of plainclothes policeman.

There were moments when I was walking through crowds, and literally, three, four, five people around me, they all had earpieces.

They have really developed excellent crowd control techniques, where they would move the crowds through with street-cleaning equipment. And they would push people through with lots of water, cleaning the same street corner again and again and again.

Mind you, no one is actually coming out to protest. No one is actually declaring, down with the Chinese Communist Party. If you were to do that, then you would be rushed away in no time by security. But, rather, the call had been for people just to come out for a stroll.

And that was a very clever way of going about it, because you can’t really arrest someone for just walking down the street.

Hockey Pads Batman

Thursday, July 19th, 2012

The Dark Knight‘s hockey-pads Batman now has a back story:

You didn’t build that

Thursday, July 19th, 2012

“He didn’t invent iron ore and blast furnaces, did he?”

“Who?”

“Rearden. He didn’t invent smelting and chemistry and air compression. He couldn’t have invented his Metal but for thousands and thousands of other people. His Metal! Why does he think it’s his? Why does he think it’s his invention? Everybody uses the work of everybody else. Nobody ever invents anything.”

She said, puzzled, “But the iron ore and all those other things were there all the time. Why didn’t anybody else make that Metal, but Mr. Rearden did?”

Atlas Shrugged, Chapter 9, page 1

(That was Mark Perry’s quote of the day.)

The real games in the Olympic Village

Thursday, July 19th, 2012

The real games in the Olympic Village will not be televised, Sam Alipour reminds us:

For most Olympians, the ramp-up to the Games is lonely. Not unlike movie stars on a far-flung movie shoot, the Olympics present the perfect opportunity to find a partner who understands where they’re coming from. “Think about how hard it is to meet someone,” Azevedo says. “Now take an Olympian who trains from 6 a.m. until 5 p.m. every day. When the hell are you supposed to meet someone? Now the pressure is done, you’re meeting like-minded people … and boom.”

Internet Cafe Robbery

Wednesday, July 18th, 2012

Two “men” — armed with a pistol and a bat — attempted to rob an Internet cafe in Ocala, Florida — where legal concealed-carry is not uncommon:

The cafe customer who drew his own pistol did manage to hit the robbers, but just barely:

Dawkins had a superficial wound in his left arm, but Henderson was shot in two places: his left buttock and his right hip.

Shooting them as they ran away was perfectly natural but probably illegal.

The Reality of Cartels

Wednesday, July 18th, 2012

The more ghoulish and extreme Breaking Bad becomes, the more it seems to traffic not in realism but in horror, Patrick Radden Keefe says, after spending six months interviewing drug traffickers and D.E.A. agents for an article about the business side of a Mexican drug cartel — and the more accurately it captures the reality of the cartels and their business. He has one quibble though:

The one feature in the show that is most glaringly off is the gleaming subterranean mega-lab that Gus constructs for Walter. To be sure, labs like these exist — just not in the United States. One major challenge for any meth producer, which gets scant attention on the show, is how to source adequate precursor chemicals, which are heavily regulated in the States. In real life, it would be impractical to undertake the sort of industrial-scale production that Walter does (two hundred pounds a week) inside this country, because of the difficulty of acquiring the necessary chemicals. It is much easier to shift production to Mexico or Guatemala, as the major drug cartels have done, where mega-labs (that dwarf Walter’s) churn out meth for export to the U.S. Meth is still cooked in this country, but generally in smaller “shake and bake” batches more typical of what you see in “Winter’s Bone.”

Cuties

Tuesday, July 17th, 2012

Spanish clementines have successfully been re-branded as cuties:

Cuties have their origin in a 1990 freeze that badly damaged California’s citrus harvest. Mr. Evans, a stockbroker-turned-farmer and already into tomatoes, oranges and kiwi at the time, caught wind of the fact that Spanish clementines were selling well on the East Coast. “Supermarket chains told me, ‘If you can grow ‘em, they’ll sell,’” he recalls.

He hired experts to confirm that the fruit could endure the San Joaquin Valley’s weather extremes. He dispatched his oldest son to research clementine groves abroad. “Put my inheritance in clementines,” Mr. Evans recalls his son, Barney, telling him over the phone.

Ready to bet big, Mr. Evans signed a deal with a nursery in 1996 to multiply clementine trees and sell them exclusively to him, locking in a head start over rivals. Still, Mr. Evans was worried about a certain set of neighbors—the Resnicks, who ran one of the country’s largest fruit and nut operations.

The Resnicks made a fortune marketing coins and collectibles before turning California pomegranate groves into the Pom Wonderful juice brand.

“I thought, ‘If Stew [Resnick] hears I’m growing clementines, he’s going to compete. He’s a big-money guy who can overdo everything,’” says Mr. Evans, who already jointly owned with the Resnicks a corrugated-box plant for packing fruit. In 1997, Mr. Evans approached the Resnicks about cooperating. The Resnicks’ Paramount Citrus and Mr. Evans’ Sun Pacific agreed to grow and commercialize equal quantities of the fruit under one brand. A smaller grower, Fowler Packing Co., joined them later.

The Cuties moniker was born at a meeting in the Resnick business offices. At the meeting, Mrs. Resnick picked up a clementine, studied it and deemed it “so cute,” according to two people who were present. The name “Cuties” was trademarked in 2001.

Paramount Citrus and Sun Pacific jointly own the trademark, a shared arrangement that is “extremely unusual,” according to R. Polk Wagner, a professor of trademark law at the University of Pennsylvania.

The agreement stipulated the Resnicks would develop advertising and marketing. Mr. Evans’ team would pack, sell and distribute to retailers. Mr. Evans says he spent $65 million to build a state-of-the art facility to sort, clean and pack most of the group’s fruit.

The clementine that Mr. Evans first planted in Maricopa, Calif., ripens in the fall and early winter. Seeking to extend the growing season, he later learned of a clementine-like seedless mandarin that could be harvested in late January to May. That fruit, the W. Murcott Afourer, originally hailed from Morocco. “I wanted to patent it,” he says, frowning at the memory. Instead, he discovered “this guy Mulholland has commercialized it.”

That person is Thomas Mulholland, a nurseryman, citrus grower and great-grandson of the engineer for whom Mulholland Drive in Los Angeles is named. Mr. Mulholland says he started planting the W. Murcott after scouring the globe for new citrus varieties that would thrive in California. He trademarked the name Delite.

But the W. Murcott didn’t find its wide audience until Sun Pacific and Paramount started planting and selling them as Cuties.Sun Pacific and Paramount would “single-handedly change the industry,” says Mr. Mulholland, who is among their competitors.

Strength Heaven

Monday, July 16th, 2012

The New Yorker doesn’t publish pieces on strongman competitions every day:

Early in March, I went to see [Brian] Shaw defend his title at the Arnold Strongman Classic, the heaviest competition of its kind in the world. The Classic is held every year in Columbus, Ohio, as part of a sports festival that was founded by Arnold Schwarzenegger and a promoter named Jim Lorimer, in 1989. Like its namesake, the festival is a hybrid beast — part sporting event and part sideshow — that has ballooned to unprecedented size. It’s now billed as the largest athletic festival in the world, with eighteen thousand competitors in forty-five categories. (The London Olympics will have ten thousand five hundred athletes in twenty-six sports.) Lorimer calls it Strength Heaven.

At the Greater Columbus Convention Center, that Friday morning, the main hall felt like a circus tent. Black belts in judo tumbled next to archers, arm wrestlers, and Bulgarian hand-balancers. A thousand ballroom dancers mixed with more than four thousand cheerleaders. In the atrium, a group of oil painters were dabbing furiously at canvases, vying to produce a gold-medal-winning sports portrait. The only unifying theme seemed to be competition, in any form; the only problem was telling the athletes from the audience. A hundred and seventy-five thousand visitors were expected at the festival that weekend, and half of them seemed to be bodybuilders. In the main hall, they made their way from booth to booth, chewing on protein bars and stocking up on free samples. “Yes, I can lift heavy things,” one T-shirt read. “No, I won’t help you move.”

Up the street, at the hotel where most of the strongmen were staying, the breakfast buffet was provisioned like a bomb shelter. One side was lined with steel troughs filled with bacon, potatoes, scrambled eggs, and pancakes. The other side held specialty rations: boiled pasta and rubbery egg whites, white rice, brown rice, potatoes, and sweet potatoes. This was “clean food,” as strength athletes call it — protein and carbohydrates unadulterated by fat or flavoring. The most competitive bodybuilders eliminate virtually all liquids and salt from their diet in the final days of the contest, to get rid of the water beneath their skin and give their muscles the maximum “cut.” “What do you think I’m doing here, having fun?” I heard one man shout into his cell phone in the lobby. “This is work. This isn’t playing around. My dad died, and I was lifting weights three days later. What am I supposed to do, go home and drop everything to take care of my girlfriend?”

If bodybuilders were the ascetics of the festival, the strongmen were its mead-swigging friars, lumbering by with plates piled high. “It’s a March of the Elephants kind of thing,” Terry Todd told me. “You expect that music to start playing in the background.” Todd and his wife, Jan, have designed the lifts and overseen the judging at the Arnold since 2002. (Like Terry, Jan works at the University of Texas and had an illustrious athletic career: in 1977, she was profiled by Sports Illustrated as “the world’s strongest woman.”) They take unabashed delight in the strongmen and their feats, but as educators and advocates for their sport they have found themselves in an increasingly troubling position. The Arnold, like most strongmen contests, doesn’t test for performance-enhancing drugs, and it’s widely assumed that most of the top competitors take them. (In 2004, when Mariusz Pudzianowski, the dominant strongman at the time, was asked when he’d last taken anabolic steroids, he answered, “What time is it now?”) The result has been an unending drive for more muscle and mass — an arms race unlimited by weight class.

“It’s a little frightening,” Todd told me. “The strength gains dictate that we make the weights higher, but at what point does the shoulder start to separate, or the wrist, or you get a compression fracture? We really don’t know how strong people can be.” Gaining weight has become an occupational necessity for strongmen. The things they lift are so inhumanly heavy that they have no choice but to turn their bodies into massive counterweights. “Centrifugal force is the killer,” Mark Henry, a professional wrestler and one of the greatest of former Arnold champions, told me. “Once the weight starts to move, it’s not going to stop.” Fat is a strongman’s shock absorber, like the bumper on a Volkswagen — his belly’s buffer against the weights that continually slam into it. “I wouldn’t want to be too lean,” Shaw said. When I asked about steroids, he hesitated, then said that he preferred not to talk about them. “I really do wish that there was more drug testing,” he added. “I would be the first one in line.” The same is true for most of the strongmen, Todd told me, but they feel that they have little choice: “You don’t want to take a knife to a gunfight.”

In the past five years, Shaw has added more than a hundred pounds to the svelte three hundred that he weighed at his first contest. “It gets old, it really does,” he said. “Sometimes you’re not hungry, but you have to eat anyway. Training is easy compared to that.” Pudzianowski once told an interviewer that his typical breakfast consisted of ten eggs and two to three pounds of bacon. “Between meals, I eat lots of candy,” he said. Shaw prefers to eat smaller portions every two hours or so, for maximum absorption, supplemented by “gainer shakes” of concentrated protein. (“His one shake is twelve hundred calories,” his girlfriend, a former model for Abercrombie & Fitch, told me. “That’s my intake for the entire day.”) Until he renewed his driver’s license last year, Shaw often got hassled at airports: the guards couldn’t recognize his ten-year-old picture because his face had fleshed out so much. “He’s grown into his ears,” one of his lifting partners, Andy Shaddeau, told me. “Those were not three-hundred-pound ears.”

The Plague Behind Zombies and Vampires

Monday, July 16th, 2012

Rabies is the plague behind zombies, of course, but it’s also the plague behind vampires — or modern vampires:

Tales of vampire-like creatures, formerly dead humans who return to suck the blood of the living, date to at least the Greeks, before rumors of their profusion in Eastern Europe drifted westward to capture the popular imagination during the 1700s.

In its original imagining, though, the premodern vampire differed from today’s in one crucial respect: His condition wasn’t contagious. Vampires were the dead, returned to life; they could kill and did so with abandon. But their nocturnal depredations seldom served to create more of themselves.

All that changed in mid-19th century England — at the very moment when contagion was first becoming understood and when public alarm about rabies was at its historical apex. Despite the fact that Britons were far more likely to die from murder (let alone cholera) than from rabies, tales of fatal cases filled the newspapers during the 1830s. This, too, was when the lurid sexual dimension of rabies infection came to the fore, as medical reports began to stress the hypersexual behavior of some end-stage rabies patients. Dubious veterinary thinkers spread a theory that dogs could acquire rabies spontaneously as a result of forced celibacy.

Thus did rabies embody the two dark themes — fatal disease and carnal abandon — that underlay the burgeoning tradition of English horror tales. Britain’s first popular vampire story was published in 1819 by John Polidori, formerly Lord Byron’s personal physician. The sensation it caused was due largely to the fact that its vampire, a self-involved, aristocratic Lothario, distinctly resembled the author’s erstwhile employer.

But Polidori’s Byronic ghoul only seduced and killed. It took until 1845, with the appearance of James Malcolm Rymer’s serialized horror story “Varney the Vampire,” for the vampire’s bite to become a properly rabid act of infection. For the first time readers were invited to linger on the vampire’s teeth, which protrude “like those of some wild animal, hideously, glaringly white, and fang-like.” And at the long tale’s end, Varney’s final victim (a girl named Clara) is herself transformed into a vampire and has to be destroyed in her grave with a stake.

Both these innovations carried over into the most important vampire tale of all, Bram Stoker’s “Dracula.” In Stoker’s hands, the vampire becomes a contagious, animalistic creature, and his condition is properly rabid. It is a lunge too far to claim (as one Spanish doctor has done in a published medical paper) that the vampire myth derived literally from rabies patients, misunderstood to be the walking dead. But it is clear that this central act of undead fiction — the bite, the infection, the transferred urge to bite again — has rabies knit into its DNA.

Over time, the vampire’s contagion infected his undead cousin, too. The original zombie myth, as it derived from Haitian lore, also involved the dead brought back to kill, but again without contagion — an absence that carried over to Hollywood’s earliest zombie flicks. In this and many other regards, the most influential zombie tale of the 20th century was nominally a vampire tale: Richard Matheson’s 1954 novel “I Am Legend,” whose marauding hordes of contagious “vampires,” victims of an apocalyptic infection, set the whole template for what we now think of as the standard zombie onslaught.

Since then, as Hollywood has felt the need to conjure ever more frightening cinematic menaces, the zombie has if anything grown increasingly rabid.

Dad’s Traveling Think Tank

Sunday, July 15th, 2012

When Dan Zevin was young, he often found himself riding in his dad’s traveling think tank:

In my dad’s generation, a man’s car was his castle. And his kids were his captive audience. We listened to his music. We answered his questions. We stared out his rhombus-shaped windows as he shared fatherly wisdom that we’d later refer to as “The Tao of the Monte Carlo.”

“In life, you will find there are always people ahead of you and people behind you.” (What he told us whenever we were stuck in traffic.)

“Don’t let the sound of your own wheels drive you crazy.” (The line he’d repeat no matter how often we heard it on his Eagles “Greatest Hits” 8-track.)

“Remember to follow through.” (The advice he dispensed while driving us to tennis.) “And I’m not just talking about swinging a racket,” he’d add. “I’m telling you how to succeed in the world.”

[...]

When I take my dad for a spin in the Maxivan, he seems rather freaked out. It’s like he’s stepped into an alternate universe where parents think it’s their job to do whatever it takes to keep their kids happy. The truth is, I’m following a very old-fashioned tenet of parenting: Children should be seen and not heard. And thanks to that fully loaded Maxivan, my kids are not heard. They are not heard shouting at each other, fake-belching at each other or telling on each other. Contained in their captain’s chairs and distracted by “Toy Story 3,” fingers will not be inserted into neighboring ears, Goldfish will not fly, chaos will turn to quiet.

It wasn’t supposed to be like this. I wasn’t supposed to be the dad who disciplines his kids by making them watch DVDs.

How Firefighters Should Fight Fires

Saturday, July 14th, 2012

Plastic fillings in sofas and mattresses burn much faster than older fillings like cotton, and this changes how firefighters should fight fires:

Plastics, like the polyurethane foam used as filling in furniture, have drastically reduced the time it takes for a fire to heat a room above 1,100 degrees, the point at which it is likely to burst into flames, firefighters and scientists say.

How flammable such fillings can be was shown in a catastrophic 2007 fire in a furniture showroom in Charleston, S.C., that killed nine firefighters.

And last year, in Crown Heights, Brooklyn, Firefighter Robert Wiedmann was burned over nearly half his body in a brownstone fire that officials said fed quickly on home furnishings and an inrush of air through opened windows.

The fire appeared to be confined to a rear bedroom, and firefighters expected it to be routine. But a front room in which Firefighter Wiedmann was searching burst into flames within seconds. A video posted on YouTube recorded the inferno, and a colleague’s desperate bid to save Firefighter Wiedmann’s life by slapping with gloves at his burning back.

Ventilation is not the only basic firefighting tactic coming under scrutiny.

For instance, it has long been considered a cardinal sin for firefighters to spray water on a room full of smoke with no flames. Water drives the smoke from the ceiling toward the floor, eliminating the low foot or two of visibility — and oxygen — along the floor that firefighters relied on to navigate an unfamiliar house and that survivors needed to breathe.

Some chiefs within the Fire Department have come to believe, however, that quickly dousing a smoky room to cool the gases near the ceiling might be more important than preserving any smoke-free corridor along the floor.

For weeks, department officials and scientists have stocked the 20 abandoned row houses on Governors Island, which for years had been used as Coast Guard housing, with red, purple and beige sofas and chairs, along with coffee tables and armoires — all bought from hotel liquidators.

On Monday, the scientists will start burning the houses down, while studying how the slightest change in ventilation — an opened door or a broken window — affects the heat and pressure indoors.

[...]

“Everyone assumed that when you ventilate, things cool off, that venting equals cooling,” said Stephen Kerber, a research engineer with Underwriters Laboratories who is helping run the experiments. “We’re proving time and time again that venting doesn’t cool and allows for things to get much hotter.”