The signature performance of the modern revolution

Sunday, July 13th, 2008

The signature performance of the modern revolution, Mencius Moldbug notes, is the irregular military parade:

Ie: cars or pickup trucks full of well-armed youths in their colorful native attire, driving up and down your street while (a) honking, (b) waving hand-lettered banners, (c) chanting catchy slogans, and (d) discharging their firearms in a vaguely vertical direction. Occasionally one of the vehicles will pull up in front of a house and discharge its occupants, who enter the building and emerge with an infidel, racist, Jew, spy, polluter, Nazi or other criminal. The offender is either restrained for transportation to an educational facility, or enlightened on the spot as an act of radical social justice. Yes, we can!

He plants his tongue even further in cheek when describing its reactionary counterpart:

Whereas in the ideal restoration, the transfer of power from old to new regime is as predictable and seamless as any electoral transition. With all rites, procedures and rituals correct down to the fringe on the Grand Lama’s robe, the Armani suits on his Uzi-toting bodyguards, and the scrimshaw on the yak-butter skull-candle he lights and blows out three times while chanting “Obama! Obama! Llama Alpaca Obama!”, the Heavenly Grand Council releases itself from the harsh bonds of existence, identifies its successor, asks all employees to remove their personal belongings from their offices, and instructs senior eunuchs to report for temporary detention.

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