Instead of the tawdry, lousy, fouled-up mess it is

Wednesday, February 24th, 2021

Robert Heinlein’s Glory Road is chock-full of Heinlein-isms— plus dueling scars and methane-burning dragons — but one passage stands out for stating his theme outright:

I wanted a Roc’s egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur — I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles.

I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, “The game’s afoot!” I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and the Lost Dauphin.

I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be—instead of the tawdry, lousy, fouled-up mess it is.

The Roc is the giant bird from Arabian Nights. Odalisque is a word I don’t see often; it means concubine. The only reference to a Nancy Lee that I could find was to a comic song, The Wreck of the Nancy Lee:

I’ll tell you the tale of the Nancy Lee,
The ship that got shipwrecked at sea
The bravest man was Captain Brown,
‘Cause he played his ukulele as the ship went down.

Chorus:
All the crew was in despair,
Some rushed here and some rushed there,
But the Captain sat in the Captain’s chair,
And he played his ukulele as the ship went down.

The Captain said to Seaman Jones:
“You’d best put on your working clothes
While you stand and spray your hose
I can play me ukulele as the ship goes down.”

The owners signalled to the crew, saying:
“Do the best that you can do.
We’re only insured for half-a-crown,
We’ll be out of pocket if the ship goes down.”

The Captain’s wife was on board ship,
And he was very glad of it
But she could swim and she might not drown
So we tied her to the anchor as the ship went down.

The crow’s nest fell and killed the crow,
The starboard watch was two hours slow
But the Captain sang fal-oh-de-oh-doh
And he played his ukulele as the ship went down.

Barsoom is, of course, the fanciful Mars of Edgar Rice Burroughs’ stories. Poictesme and its capital Storisende serve as the setting for James Branch Cabell‘s Biography of the Life of Manuel.

The Duke of Bilgewater and the Lost Dauphin come from Huck Finn.

Prester John is the legendary Nestorian patriarch and king who was said to rule over a Christian nation lost amid the pagans and Muslims in the Orient.

Ulysses needs no introduction, but Tros of Samothrace was new to me:

The novel concerns the courageous adventures of the title character (a Greek from Samothrace) as he helps pre-Roman Britons fight the invading forces of Julius Caesar. Over the course of the novel, Tros travels from Britain to Spain, and finally the city of Rome itself.

The author, Talbot Mundy, dedicated Tros of Samothrace to his friend Rose Wilder Lane, who had funded its book publication, and Fritz Leiber was a fan.

Comments

  1. Neovictorian says:

    This is saying, at an even more basic level I think, why he wrote this particular book.

Leave a Reply