Del Toro Talks At the Mountains of Madness

Thursday, October 19th, 2006

Guillermo del Toro, who directed the very Lovecraftian Hellboy, is gearing up to shoot Hellboy 2: The Golden Army in January, but he’s got something even more Lovecraftian planned after that. Del Toro Talks At the Mountains of Madness:

Mountains of Madness, which is a project I’ve had for several years, if it comes to fruition I’d rather do that immediately while the iron is hot,” del Toro says. “But it all depends on so many factors — creative, personal — that every time I predict what I’m going to do next, I fail.”

Details on when/how/if the project is going to happen are sketchy, but del Toro has a clear idea of how he will portray the classic horror tale on screen, and he says it will definitely be a studio picture. Adapting Lovecraft’s unique style to the movies has proven to be a difficult undertaking for filmmakers in the past, but the helmer says that he’s enhanced At the Mountains of Madness‘ story (about an expedition to Antarctica that turns creepy fast) so that it will work on screen.

“The albino penguins, the gigantic city… The hard thing about that novel is it’s very much a record of an expedition, so the narrative is brilliant in that it’s a little bit dry but it’s not character-based,” he says. “There are many characters that you don’t know — you don’t even know who the hell the expedition is [made up of] until you have it referenced in another book of Lovecraft’s.”

Fleshing out those characters will be key to making the film work, he explains.

“You need to create the character dynamics and the arc of the story, which is not in the book,” says del Toro. “Also, the horror in the book is only ambiguous and it’s kept open at the end. And you can still capture that atmosphere, but then you have to take it and go to a climax [in the movie]. Which in the book is really a climax by almost using negative space in the narrative; it’s what you don’t see that makes it. That essentially goes against the very essence of show business, because you don’t show anything. I think that what we’re doing is good and it’s as good as we can [do when] adapting Lovecraft. But it’s a project that’s been with us for several years now. It’s not an easy project to set up.”

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