Why Practicing Practicing from an Early Age Is so Important

Thursday, January 7th, 2016

Noa Kageyama reviews why practicing practicing from an early age is so important — or, why training kids how to practice is so important:

Two Australian researchers did a study tracking young musicians’ practice habits over a three-year span, to see how effectively young learners could self-regulate – or control and direct their own learning behaviors in six specific areas:

Motive: How capable are students of initiating practice on their own?

Time: How much do students practice? How effectively do they manage their practice time?

Method: What sorts of practice strategies do students use?

Performance outcomes: How capable are students at monitoring, evaluating, and controlling their playing?

Physical environment: How effectively do students structure their practice environment to minimize distractions and maximize learning?

Social factors: How much initiative do students take in seeking out help that might help them improve faster (asking questions, help from parents, etc.)?

1. Practice motive

Even at this young age, there were clear differences in motivations for learning an instrument. Some expressed more externally motivated reasons, like wanting to be in band because their friends were doing it. Others had more internally driven reasons, such as liking music, or wanting to play specific pieces they liked.

Ultimately, the researchers found that the children who had more extrinsic reasons for learning made the least progress, while those who identified intrinsic reasons progressed more quickly. It seems that students motivated by a more personally meaningful reason to learn are more likely to engage in the kinds of behaviors that maximize learning.

2. Practice time

Not all “practice time” was actually spent practicing. In year 1, for instance, only 72.9% of their time was spent actually practicing. They spent the remainder of time engaged in activities like looking for music, day-dreaming, etc.

As a group, they became more efficient practicers over time, but there were pretty significant individual differences from the very beginning. “Male Trumpet 1”, for instance, spent less time practicing than the others, instead engaging in avoidance behaviors like fiddling around with his instrument. As a result, it took him 3 years to reach the same level of playing that many of his peers had reached in 1 year.

The researchers suggest that tiny differences in the beginning can add up and have a significant impact on subsequent learning and students’ progress as the years go by.

3. Practice strategies

As you might imagine, the beginners’ practice strategies were pretty unsophisticated. The most popular strategy was to simply play the piece through from beginning to end, which represented about 95% of their practice time.

There were some additional strategies, like foot-tapping, counting, thinking, singing, or silent fingering, but these were pretty rare to see (<2% of their time).

Another finding, was that despite being asked by their teachers to repeat pieces until they came more easily, ~90% of the time, students played through a piece only once, and looked pretty content to move onto something else once they got to the end, regardless of how it sounded.

4. Performance outcomes

One of the key areas of self-regulation is the ability to know when you’ve made an error, stop playing, and fix it.

In year 1, most of the young learners simply ignored their pitch errors (there were so many rhythm errors that the researchers stopped keeping track). But here too there were individual differences. Some students were much more capable of noticing and correcting their errors, and played better on the second run-through of a piece, while others actually made more errors on subsequent run-throughs.

Based on their data, the researchers suggest that teachers stop during lessons and ask students to reflect and comment on the accuracy of what they just played.

This could then be the basis for teaching students strategies like mentally singing the opening phrase before playing, or looking at the music to identify potential trouble spots, or remembering to think about the tempo or key before they play.

Their other suggestion was to occasionally take a momentary time-out in lessons and ask students to demonstrate how they would practice a tricky section. To see how they approach listening and problem-solving – to essentially practice practicing in lessons.

Recommendations to teachers

Spend time demonstrating or modeling specific practice strategies during lessons, that students can try using at home during the week.

Find ways to help young learners reflect on the quality of their practice time. Whether through practice diaries or goal-setting exercises, help students get better at listening/evaluating their own playing, and making better decisions about what to spend time working on. Because these are not necessarily things that students will intuit on their own – and the researchers suggest that the tiny differences that start to appear even in the very first practice sessions accumulate over time and could very well be the difference between a student who practices harder, is more confident about their learning ability, and achieves at a higher level, and a student who lags behind.

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