Sharon Tate was right to be wary of Polanski’s circle, Tom O’Neill explains (in Chaos: Charles Manson, the CIA, and the Secret History of the Sixties):
Pic Dawson, who’d threatened Frykowski’s life and been thrown out of Polanski’s party, had been the subject of Interpol surveillance for drug smuggling as early as 1965. The young son of a diplomat, he’d gained entrée in the Polanski crowd through his friendship with Cass Elliot, one of the singers in the popular sixties group the Mamas and the Papas. Like most of the men in the troubled singer’s life, he’d used her for her money and connections. Elliot’s biographers would later write that her infamous 1966 London arrest — she’d been caught stealing hotel towels and keys — was actually a ruse to force her to share information about Dawson’s drug-smuggling operations. Dawson’s colleagues in the drug business, Billy Doyle and Tom Harrigan, also wormed their way into Polanski’s circle through Mama Cass.
According to police reports, Dawson, Doyle, and Harrigan — all twenty-seven, and all romantically involved with Elliot — were joined by a fourth partner, “Uncle” Charles Tacot, a New Yorker who was more than a decade older. A former marine, the six-foot-six strongman was renowned for his prowess with knives; he was rumored to have maintained ties to military intelligence, and he’d been selling drugs in Los Angeles since his arrival in the mid-1950s. Curiously, despite their many years of drug peddling and several drug arrests among them, only Doyle had ever been convicted of any crime — and his conviction was later overturned and changed to an acquittal on his record.
[…]
As the story goes, at some point in the months before the murders, the residents of Cielo threw one of their endless parties, with Frykowski and Sebring leading the charge. Billy Doyle showed up and, in the spirit of the times, drank, smoked, and snorted himself to unconsciousness. Frykowski and Sebring, and maybe Witold Kaczanowski, too, wanted to get even with Doyle for something. Some say he’d sold them bad drugs. So, before a crowd of onlookers, they lowered Doyle’s pants, flogged him, and anally raped him.
[…]
Candice Bergen, in an interview with the LAPD a few weeks after the murders, said that it was a rape, most likely at Sebring’s place or at his friend John Phillips’s (also of the Mamas and the Papas); Dennis Hopper told the Los Angeles Free Press that it was at the Cielo house. He described it as “a mass whipping of a dealer from Sunset Strip who’d given them bad dope.” Ed Sanders, in The Family, reports that Doyle was “whipped and video-buggered,” and the location varies depending on which edition of the book you’re looking at.
[…]
In short, he told the LAPD’s Lieutenant Earl Deemer that he didn’t remember being raped, but he couldn’t be sure; it might’ve happened anyway. He recalled going over to see Frykowski at the Cielo house on the night in question, sometime in early July. Frykowski, thinking it would be a funny prank, slipped some mescaline in his champagne. Folger and Kaczanowski were there, too. “It was out at the swimming pool,” Doyle told Deemer, “and there was two cases of champagne by the pool… And apparently [Frykowski] put some in my drink, and I said, Jesus… I am high… I am really out of my bird.”
He wanted something to bring him down, and Frykowski was happy to oblige, producing some pills that he said belonged to Sharon Tate. Doyle swallowed “about eight of them,” and soon enough, as Frykowski started to laugh at him, he realized that the pills were something else entirely, and that he was dealing with some wild people:
They were crazier than hell. I didn’t realize they were so crazy. I am using the word ‘crazy,’ I mean drug-induced crazy… in California, everybody has a tan. Now, if people don’t have a tan, they look a little different. You can see things in their face[s] that a tan covers up… They were all tan and looked healthy. They looked very straight to me when I first got there. And, uh… I don’t remember much more than that.
[…]
In recent months he’d developed a coke habit, which only exacerbated the paranoia. Convinced that someone, somewhere, was out to get him, he started carrying a gun. It didn’t help that he often bragged about how much cocaine he had, especially when there were women around. “They all wanted to get laid,” he said to Deemer, “and the price of admission was a nose full of coke, and I learned that.” He would show up at parties with a silver coke spoon and tell everyone he had “pounds of it.” His good friend Charles Tacot said, “‘ For Chrissakes, Billy, what do you tell people that kind of stuff for?’ And I said, ‘I want to get laid, Charles.’”
That day, higher and higher on drugs that he couldn’t even name, Doyle became convinced that Frykowski meant to harm him. So he pulled out his gun and pointed it at the Pole, threatening to kill him. Frykowski, the bigger man — and the more sober, too, if only by a hair — wrested the gun from him.
Here Doyle’s memory got hazy; he apparently lapsed into unconsciousness, and Voytek called up Charlie Tacot, asking him to come collect his deranged friend. It was possible, Doyle conceded, that Frykowski or Kaczanowski had raped him after that. He admitted that he might’ve told his friend Mama Cass something to that effect. “I was unconscious,” he told Deemer. “I wasn’t sore the next day… not there. But I was sore everywhere else.”
In another LAPD officer’s account of that interview, Doyle puts it even more frankly: “I was so freaked out on drugs I wouldn’t know if they’d fucked me or not!”
[…]
In our first phone call, Tacot filled in some of the blanks from Doyle’s story. He remembered driving over to pick up Doyle, who was passed out somewhere on the Cielo Drive property. His belt had been split, apparently with a knife. A friend who’d come along for the errand said, “I think Voytek fucked him.”
They took Doyle, still unconscious, to Mama Cass’s place in the Hollywood Hills. Tacot remembered thinking, “If we don’t take care of him, he’s going to go back there and have a beef. I carried him out, laid him by a tree, went back to my car and got about twenty feet of welded link chain, which I had in there for somebody else, originally. I put it around his ankle and a tree with a good padlock and snapped it all together — so I know he’s not going anywhere. Cass was in the hospital at the time. She said, ‘Get the Polaroid! Get the Polaroid!’”
Doyle came to a few hours later, still very high, and simmering with rage. “‘ I’m going to shoot that motherfucker,’” Tacot remembered him saying. “And I said, ‘No, no, we’re leaving town. We’re going to Jamaica… but first you’re going to get sober and you’re going to be on this fucking tree until you are.’”
[…]
After that, Tacot told me, the pair headed off to Jamaica, where apparently they were making a movie about marijuana. (No footage from this film has ever surfaced. Others have said the two were involved in a large narcotics deal.) On August 9, while they were away, “Manson goes up and kills those people and everyone’s looking for [Doyle],” Tacot said. He and Doyle were suspects within days. “I picked up the phone one day and the Toronto Star informed me that me and Billy were in the headlines: two wanted for murder.” A couple of days later, back in the United States, “I took a lie-detector test,” Tacot told me. “They knew I had nothing to do with it. Billy, too. He was in Jamaica with me. We were cleared, out of the country. You can’t kill somebody long-distance.”
[…]
Seemingly everyone in town had partied with Tacot at some point. Corrine Calvet, a French actress who’d worked in Hollywood since the forties, had one of the most alarming stories of them all. Calvet was as famous for her turbulent life as her film roles. She’d starred opposite James Cagney in What Price Glory? In the fifties, she married Johnny Fontaine, a mobster-turned-actor who’d been a pallbearer at the gangster Mickey Cohen’s funeral. A purported Satanist, she’d been sued in 1967 by a longtime lover who accused her of “controlling” him with voodoo.
I met Calvet at her beach-facing apartment in Santa Monica. Solemn and unsmiling, in heavy makeup, her gray hair swept back, she got right to the point.
“The only thing that I can tell you about this Manson,” she said, her accent inflecting the words with glamour and gravity, “is that Charlie Tacot brought him and the girls to a party at our house. Two hours after they were there, I caught Charlie Manson taking a piss in my pool. I told Charlie Tacot to get them out of here and they left. After the tragedy happened, the FBI came by and told me I was next on their list to be killed.”
I explained that Tacot had denied ever having met Manson or anyone in the Family. “Maybe he has good reason to say that,” Calvet said, letting her words hang in the air. She was certain: “Charlie knew them.”
[…]
Tacot had lived in Los Angeles since the mid-1950s, when he moved there from Mexico with his wife. He had two daughters, one of whom, Margot, would later confirm a lot of her father’s story: he was a drug dealer, she said, who operated on the fringes of the music and acting world. Although he would often get arrested, she said, “nothing ever stuck. Someone always took care of it for him.”
[…]
As he grew more comfortable, Tacot made an unexpected revelation: at the time of the murders, he worked for an intelligence agency — he wouldn’t say which — and reported to Hank Fine, a veteran of the army’s Military Intelligence Service (MIS). This had been a World War II–era operation so secret that it wasn’t even acknowledged by the federal government until 1972. Fine, a Polish émigré whose true name was Hersh Matias Warzechahe, was “an assassin who shot people for the government,” Tacot claimed.
Thinking the old guy was fantasizing, I barely followed up on the revelation. But he, and later Billy Doyle, would often reference Fine, only to refuse to answer any questions about him. When I looked into him, I learned neither man had been lying. Tacot also described his friend Doyle — they were still close — as “a dangerous man. He’d kill you in a fucking minute. Both of us are second-generation intelligence.
[…]
Tacot reminded me that Bugliosi, when he wrote Helter Skelter, had given pseudonyms to him and his friends, and not just for the sake of politeness. “He was afraid American intelligence would kill him if he exposed us,” Tacot claimed.
[…]
Some people told me, with certainty, that Tacot had been an assassin for the CIA, that he was a “gun freak” and an incredible marksman. (In his 2006 autobiography, Since Then: How I Survived Everything and Lived to Tell About it, the musician David Crosby identified Tacot as a “soldier of fortune” who taught him how to shoot a gun.) Others said that he was an ex-marine who’d served in Korea and used to show off his impressive knife-throwing skills. I heard that he grew pot in Arizona; that he was a child molester; that he was a coke smuggler; that he was an uncredited screenwriter; and that his intelligence ties were all fictitious.
[…]
Fine, who’d been a movie PR man from the 1940s until his death in 1975, had been in the Office of Strategic Services (OSS), the counterintelligence agency that oversaw the MIS and evolved into the CIA after World War II. His work often seemed to combine Hollywood and spycraft. Eddie Albert, the star of the sixties sitcom Green Acres, told me that Fine had sent him on undercover missions to Mexico during the war; from his sailboat, the actor had photographed German landing sites and military training grounds. Though I found no proof, the consensus among Fine’s associates was that he’d continued working in espionage operations through the sixties. His only child, Shayla, told me that his public-relations gig was a cover — and, yes, she said, Tacot had reported to her father. What kind of work were they doing? She never knew, except that it was classified.
[…]
I brought up his and Tacot’s alibi for the night of the murders: they’d been in Jamaica, you’ll recall, filming “a pot movie.” Doyle admitted that the movie was a ruse. He and Tacot had really been doing intelligence work there, he said, as part of some effort to keep Cuba out of Jamaica.
“Dead white men will pull your tongue out if you tell this shit,” he said. “You have to understand that the government doesn’t want to have any exposure on the Jamaican thing — there never was a Jamaican thing. They don’t want to know about it.” When I asked why, he said, “How the fuck do I know? I’m a Canadian citizen. I went with Charles on an adventure. I thought we were going to do a movie.”
[…]
Later, when I’d interviewed so many people that some of them had started to compare notes, he said something really impenetrable. “The community has looked at this as a settled thing until you started talking to us.”
“What community?” I asked. “Who?”
“The ties that bind.”