The current hysteria over “domestic terrorists” is often compared to incidents in Nazi Germany, Steve Sailer notes, but a better analog might be the Wilson administration’s demonization of German-Americans in 1917:
When the U.S. declared war on Germany in April 1917 (despite Wilson having been reelected five months before on the slogan: “He kept us out of the war”), the Wilson administration launched a propaganda and censorship campaign to castigate antiwar dissent as treason and potential insurrection.
Congress passed the Espionage Act of 1917 to imprison Americans for crimes of “insubordination.”
The Sedition Act of 1918 doubled down, proscribing up to twenty years’ imprisonment for publishing disloyal language about the government of the United States. Socialist Party leader Eugene Debs was imprisoned for a speech outlining the anticapitalist critique of war until President Harding pardoned Debs and invited him to the White House.
We didn’t have tech monopolies back then to censor free speech for us for free, so the Postmaster General was instructed to block from the mails any document questioning American involvement.
By June 1917, many Americans remained unenthusiastic about the war, so the Wilson administration switched from promoting the war as a high-minded crusade for democracy and peace (“the war to end all wars”) to stoking anti-German ethnic hatred. Propaganda posters declaring “Destroy This Mad Brute: Enlist” portrayed the German Reich as a mad gorilla raping a lovely American redhead.
This push by the powers-that-be inspired a sudden Teutophobic cultural revolution as Americans rushed to display their newfound loathing for all things German. Sauerkraut was renamed liberty cabbage, dachshunds became liberty hounds, and, strangely, German measles were redubbed liberty measles.
In Cincinnati, pretzels were canceled from bars’ free lunches. Literary works printed in German were discarded by libraries and there was an occasional book burning.
The Goethe statue in Chicago was vandalized and it was debated whether to melt it down for war weapons.
A German-born baker was lynched in Illinois by coal miners and the jury acquitted his murderers.
At the more refined end of society, 29 musicians of the Boston Symphony Orchestra were rounded up and interned at Fort Oglethorpe in Georgia. Beethoven and Bach disappeared from concert schedules and the German Richard Wagner was replaced by the Frenchman Hector Berlioz.
As in 1939, it was hard to keep up with the rapidly changing political line. For example, a movie mogul who produced a patriotic silent film extolling the American Revolution of 1776 suddenly found his film vilified for being against the King of England.
By the time America finally calmed down under Harding’s “return to normalcy,” German-Americans had learned to keep their heads down. Restrictions on immigration passed in the 1920s helped American society mature. Hence, the challenges of the Depression and WWII were navigated with less of the national nervous breakdown that accompanied Wilson’s second term.
The Wilsonian forced assimilation of Germans proved helpful during World War II when German-Americans were overwhelmingly loyal. But the U.S. probably permanently lost some of the brilliance of German culture.
Looking back, the whole episode seems embarrassing.
