Alanis Morissette "My Humps"

Monday, April 2nd, 2007

It turns out that the best way to mock Fergie’s — actually Black-Eyed Peas’ — vapid-yet-popular My Humps is to sing it oh-so-earnestly.

Please enjoy Alanis Morissette‘s take on “My Humps”…

Steven Pressfield Recommends

Monday, April 2nd, 2007

Steven Pressfield recommends a number of fine books — on Sparta, on Alexander the Great, and on a number of other classical topics — and points out a piece of movie trivia I should have known:

Hollywood’s The Warriors, about a street gang from Brooklyn, was cleverly knocked off from [Xenophon's The Persian Expedition or Anabasis].

Brad Bird Podcast Interview

Monday, April 2nd, 2007

I love this snippet from a Brad Bird Podcast Interview on the future of animation, both traditional hand-drawn 2D and modern CGI 3D:

Do you think 2D has to change in order to be successful again?

Yeah, I think they have to tell good stories. I think that’s a radical change.

Ten of the best April Fool’s Day hoaxes

Sunday, April 1st, 2007

Ten of the best April Fool’s Day hoaxes:

  • In 1957, a BBC television show announced that thanks to a mild winter and the virtual elimination of the spaghetti weevil, Swiss farmers were enjoying a bumper spaghetti crop. Footage of Swiss farmers pulling strands of spaghetti from trees prompted a barrage of calls from people wanting to know how to grow their own spaghetti at home.
  • In 1985, Sports Illustrated magazine published a story that a rookie baseball pitcher who could reportedly throw a ball at 270 kilometers per hour (168 miles per hour) was set to join the New York Mets. Finch was said to have mastered his skill — pitching significantly faster than anyone else has ever managed — in a Tibetan monastery. Mets fans’ celebrations were short-lived.
  • Sweden in 1962 had only one television channel, which broadcast in black and white. The station’s technical expert appeared on the news to announce that thanks to a newly developed technology, viewers could convert their existing sets to receive color pictures by pulling a nylon stocking over the screen. In fact, they had to wait until 1970.
  • In 1996, American fast-food chain Taco Bell announced that it had bought Philadelphia’s Liberty Bell, a historic symbol of American independence, from the federal government and was renaming it the Taco Liberty Bell.

    Outraged citizens called to express their anger before Taco Bell revealed the hoax. Then-White House press secretary Mike McCurry was asked about the sale and said the Lincoln Memorial in Washington had also been sold and was to be renamed the Ford Lincoln Mercury Memorial after the automotive giant.

  • In 1977, British newspaper The Guardian published a seven-page supplement for the 10th anniversary of San Serriffe, a small republic located in the Indian Ocean consisting of several semicolon-shaped islands. A series of articles described the geography and culture of the two main islands, named Upper Caisse and Lower Caisse.
  • In 1992, US National Public Radio announced that Richard Nixon was running for president again. His new campaign slogan was, “I didn’t do anything wrong, and I won’t do it again.” They even had clips of Nixon announcing his candidacy. Listeners flooded the show with calls expressing their outrage. Nixon’s voice actually turned out to be that of impersonator Rich Little.
  • In 1998, a newsletter titled New Mexicans for Science and Reason carried an article that the state of Alabama had voted to change the value of pi from 3.14159 to the “Biblical value” of 3.0.
  • Burger King, another American fast-food chain, published a full-page advertisement in USA Today in 1998 announcing the introduction of the “Left-Handed Whopper,” specially designed for the 32 million left-handed Americans. According to the advertisement, the new burger included the same ingredients as the original, but the condiments were rotated 180 degrees. The chain said it received thousands of requests for the new burger, as well as orders for the original “right-handed” version.
  • Discover Magazine announced in 1995 that a highly respected biologist, Aprile Pazzo (Italian for April Fool), had discovered a new species in Antarctica: the hotheaded naked ice borer. The creatures were described as having bony plates on their heads that became burning hot, allowing the animals to bore through ice at high speed — a technique they used to hunt penguins.
  • Noted British astronomer Patrick Moore announced on the radio in 1976 that at 9:47 am, a once-in-a-lifetime astronomical event, in which Pluto would pass behind Jupiter, would cause a gravitational alignment that would reduce the Earth’s gravity. Moore told listeners that if they jumped in the air at the exact moment of the planetary alignment, they would experience a floating sensation. Hundreds of people called in to report feeling the sensation.

Moira Hahn

Saturday, March 31st, 2007

Moira Hahn produces mildly subversive works in the classical Japanese print style.

(Hat tip to Drawn!)

Wakandan Vibranium

Saturday, March 31st, 2007

I can’t believe that Colbert actually referenced Wakandan Vibranium. His geek-fu is strong.

Marvel‘s Joe Quesada is involved:

“I must confess that I am the culprit,” states Quesada. After reading Cap’s Last Will and Testament, I quickly snuck out of the Marvel’s offices with the shield. As so many of you know, Steve Rogers was a humble man and wanted his last remaining wishes to be carried out as privately as possible.

“After a small “transfer of power” ceremony occurring on the Avenger’s Quinjet, followed by several intense hours of introspection and deliberation with Mr. Colbert, we both felt it would be best to make a public statement of his inheriting the shield. Not as way of raising Mr. Colbert’s status even further (How is that even possible?), nor as a cheap ratings stunt, but rather to let evildoers across the globe know that even with Cap’s demise, there is no still place for them to hide. A clear message had to be sent that the mantle had been passed and that the Marvel Universe has gained a new (Colbert) Nation and remains secure.”

Rio Bravo

Saturday, March 31st, 2007

I didn’t realize that Rio Bravo “was made by Howard Hawks and John Wayne as a right-wing response to High Noon, which both men despised.”

High Noon “was intended as an allegory in Hollywood for the failure of Hollywood people to stand up to the House Un-American Activities Committee during the McCarthy era.”

Tolkien Jr completes Lord of Rings

Sunday, March 25th, 2007

How did this slip below my radar? Tolkien Jr completes Lord of Rings:

The first new Tolkien novel for 30 years is to be published next month. In a move eagerly anticipated by millions of fans across the world, The Children of Húrin will be released worldwide on 17 April, 89 years after the author started the work and four years after the final cinematic instalment of the Lord of the Rings trilogy, one of biggest box office successes in history.

Amazon has it available for pre-order — and the publication date is not April 1.

The Real Shrek

Sunday, March 25th, 2007

One might say that old-time pro-wrestler Maurice Tillet was The Real Shrek.

Triumph Of The Vile

Saturday, March 24th, 2007

In Triumph Of The Vile, “war nerd” Gary Brecher describes 300 as the “Hoo-ah” version of Thermopylae:

Fact: Sparta was about as romantic as North Korea. Give or take a little egalitarianism, Sparta WAS North Korea. Spartan laws did everything they could to break down the family. Sparta was more anti-nuclear family than any Hollywood liberal could ever be.

Wanna know what a Spartan wedding night was really like? It’s pretty hilarious, in an insane way. As soon as a Spartan girl got her first period, they grabbed her, shaved her head, dressed her as a boy, threw her down on her new husband’s bed, and then, well, he had his way with her. What way was that? Since hubby had been in an all-male dorm since age seven, I’m betting that that night of lovin’ was more like a skinny white boy’s introduction to San Quentin after lights-out than it was like a chick flick. So when this movie shows the Spartan hero saying to his wife, “Goodbye, my love,” I just had to laugh.

No Spartan ever told his wife he loved her. That would’ve been like treason, because the Spartan rulers wanted family ties snapped, so the only bond left was to the state. They left room for folks’ natural urges by letting the women drink, which they did non-stop, and the men form what you might call close comradely bonds with their fellow soldiers.

In the ancient world, gay was a matter of who was on top. If you were a topper, that was fine; if you were the one getting in the ass, not so cool. In other words, prison rules. Sparta’s leather-bar ways were a running joke to the ancient Greeks. The Spartans were stone killers — but they also preened like teenage girls before a battle. They grew their hair long, and before a fight they’d comb it, oil it, try out fetching new styles, put little baubles in their ears, anything to die young and leave a beautiful corpse.

None of that in this movie. Just the opposite.

He notes that the true heroes of the war against Persia were the Athenians, who understood combined-arms operations involving both army and navy:

Sparta understood only one kind of fighting: land battle, the hoplite shield-wall — a Big Ten offense from the old school, “three yards and a cloud of dust.” In any shield-wall vs. shield wall battle, the bigger offensive line will break the opposing team’s wall, leaving them open to massed spear thrusts. Once the opposition’s wall was broken, the citizen-soldiers would scatter to fight another day — a totally sensible reaction, since the alternative was annihilation. In battles like that, psycho varsity offensive-line types like the ones Sparta bred did just fine. But vary the conditions of battle in any way, and they were as helpless as Woody Hayes’ Ohio State teams were against a team that could stop the run.

From the first time I saw a trailer where a Spartan (Leonidas) kicks an envoy down an apparently bottomless pit, I was bothered:

Every time someone wants to argue with the war party in this movie, he’s evil. Everybody who talks in a normal tone of voice is evil. Miller shows two scenes where the Spartans murder Persian envoys arriving under a flag of truce. And both times, you’re supposed to cheer.

Since when do Americans cheer when truce parties are murdered? Well, that’s pretty easy to answer, actually: since Iraq.

BrickArms Weapons

Saturday, March 24th, 2007

The Net has definitely made some shockingly niche goods available to the narrow markets that want them, like these BrickArms Weapons, realistic weapons for your Lego army:

BrickArms are designed using the latest Computer Aided Design (CAD) tools to allow for precise details, and yet still retain an artistic sculptural feel of the action weapons.

Injection molded to the highest of tolerances, all 21 BrickArms Weapons are made of durable ABS plastic — the same plastic that Lego uses in their own toys, to mesh perfectly with the Lego system you already own.

If you have any doubt who their market is, note that the rifle pictured above is an X41A “Xeno” Pulse Rifle — “Hicks tested, Ripley approved.”

’300′ a triumph of technology

Wednesday, March 21st, 2007

Anne Thompson of Variety calls ’300′ a triumph of technology:

Beyond turning Gerard Butler into an action star and revitalizing the R rating, “300″ is going to have a big impact, because it has proved the effectiveness of a moviemaking technique that blends stylized graphic and live-action elements seamlessly — and at $64 million, relatively inexpensively.

It’s the birth of a new hybrid cinema, says genre marketing consultant Jeff Conner (“The Animatrix”). “Call it live-action anime. It’s like doing a high school play on a stage with digital backdrops. It’s a new visual language with a different reality.”

The best unedited fight sequence ever

Tuesday, March 20th, 2007

I have not seen The Protector, but some say it includes the best unedited fight sequence ever:

The crew spent over 1 month preparing and choreographing before they were able to get a perfect shot. When it came time to shoot, they could only do 2 takes per day because of the set repairing and prop replacement that needed to be done. It took 5 takes to get it right. A foreign cameraman was needed because the stedicam mount was built for american / european operators who are typically much larger than asian operators.

The foreign operator they hired could only do two flights of stairs at a time and simply gave up. They decided to use a Thai stedicam operator who physically prepared for a month for this job.

The reason the shot is 4 minutes is because reels of 35mm film are only about 4 min in length.

They shot the first take which had a number of problems with stuntmen cues, and even a stuntman bumping into the stedicam operator. After choreographing more dynamic action, an increase of extras and improving the set, the next take they did was 17 days after the first take.

The second take was better but when the stuntman was supposed to be thrown from the 3rd story, the safety mattress was not completely in place yet so Tony Jaa stopped the shot and saved the stuntman’s life.

The third take was just about perfect but just before Tony Jaa was supposed to bust through the last doorway, the film ran out. The director finally decided that instead of simply cutting there, they would try again for perfection.

They thought the fourth take was perfect but after review there were some parts that weren’t as good as the pervious takes. They decided on one more try.

On the fifth try, it was almost perfect. But there were 2 miscues. On the 2nd floor, Tony Jaa slams a door into the head of a stuntman and the small glass window on the door was supposed to break. It failed to do so, so they used CGI to fix this. The 2nd issue was the fight just before the sink gets thrown. The timing was off as planned but the end result looked natural so they decided this was the take to use in the final film. Simply amazing.

A few thoughts:

  • In some cases, the camera definitely becomes a character — for instance, when the camera runs up the stairs.
  • The extended fight has pro-wrestling-style pacing — you can’t coordinate a frenetic, chaotic fight scene with dozens of guys over the course of four minutes.

(Hat tip to John.)

It’s All Geek to Me

Monday, March 19th, 2007

Of 300, Neal Stephenson says, It’s All Geek to Me:

Many reviews made the same points:
  • “300” is not sufficiently ironic. It takes its themes (duty, loyalty, sacrifice, the preservation of Western civilization against enormous odds) too seriously to, well, be taken seriously.
  • “300” is campy — meaning that many things about it can be read as sexual double entendres — yet the filmmakers don’t show sufficient awareness of this.
  • All of the good guys are white people and many of the bad guys are brown. (How this could have been avoided in a film about Spartans versus Persians is never explained; the distinctly non-Greek viewers at my showing seemed to have no trouble placing themselves in the sandals of ancient Spartans.)

But such criticisms aren’t really worth arguing with, because they are not serious in the first place — and that is their whole point. Many critics dislike “300” so intensely that they refused to do it the honor of criticizing it as if it were a real movie. Critics at a festival in Berlin walked out, and accused its director of being on the Bush payroll.

Turning fantasy into a reality that helps others

Sunday, March 18th, 2007

Turning fantasy into a reality that helps others tells the story of “Lucifer” Chu, who has made millions and is now directing an effort to translate MIT’s Open Courseware into Chinese:

At 18, Chu began working as a part-time columnist for a local computer magazine and in his spare time translated fantasy and science-fiction novels from English to Chinese.

His life was set to change in the late 1990s, when he first began reading the English editions of J.R.R. Tolkien’s epic Lord of the Rings. On hearing that a movie version of Tolkien’s trilogy was in the pipeline, Chu approached a local publisher and offered to translate the works into Chinese for a minimal fee.

The deal was that if the translated works sold less than 10,000 boxed-sets, or 40,000 individual copies, Chu would donate his translation services for free. If, however, sales surpassed the 10,000 mark he would receive 9 percent of the retail value of each book.

It was a gamble, but within weeks of the release of the first of director Peter Jackson’s big-screen trilogy in December, 2001, Chu’s translation had become a national bestseller.

The number of boxed-sets sold in Taiwan to date stands somewhere in the region of 220,000 and Chu is now worth in excess of a cool NT$27million. And all because he preferred to play video games, read fantasy novels and doodle in his notebooks rather than pay attention in class.