Tim Credeur’s ‘The Ultimate Fighter 7′ Journal

Friday, April 18th, 2008

Jiu-jitsu black-belt Tim Credeur's 'The Ultimate Fighter 7' Journal has some amusing bits about the not-so-technical fight in episode 3:

“JT Money” followed the game plan to a T. He shot early and wrestled and really just out-hustled Dolce in the wrestling department. He had his back for most of the first round trying to finish with his patented one submission in his Submission Artistry repertoire known as the “Bicep” Choke. You must do lots of curl and have great power to get this one so it works well for Jesse obviously. He only went for the technique 60 times in his fight so it had to land eventually. From Dolce’s back, Jesse did some good damage going for the choke and pounding away. In the second round it was more of the same with Jesse getting the takedown and then working for that bicep choke again. Eventually Jesse sunk it in for the victory and submission.

How did we get here?

Wednesday, April 16th, 2008

How did we get here?, Fred Reed asks — meaning surrounded by mindless entertainment:

Probably Henry Ford bears responsibility. He paid workers on his assembly lines a good wage. This was as culturally deplorable as it was economically admirable. Before, the unwashed had lacked the money to impose their tastes, or lack of them, on the society. The moneyed classes of the time may have been reprehensible or contemptible in various ways, but they minded their manners — if only because it set them apart from the lower orders, perhaps, yet it worked. The middle class likewise eschewed bathroom humor except in such venues as locker rooms, probably for the same reasons. Still, they knew what “distasteful” meant.

But as the peasantry and proletariat gained economic power, inevitably they also asserted dominance over the arts, or entertainment as the arts came to be under their sway, as well as schooling and the nature of acceptable discourse. If millions of people who can afford SUVs want scatological humor, television will accommodate them. Since all watch the same television, no class of people will escape the sex-and-sewage format. This happened. Today the cultivated can no longer insulate themselves from the rabble.

DreamWorks to make ‘Ghost’ in 3-D

Wednesday, April 16th, 2008

DreamWorks to make 'Ghost' in 3-D:

DreamWorks has acquired rights to the Japanese manga “Ghost in the Shell” with plans to adapt the futuristic police thriller as a 3-D live-action feature.

Story follows the exploits of a member of a covert ops unit of the Japanese National Public Safety Commission that specializes in fighting technology-related crime.

Created by Masamune Shirow, “Ghost in the Shell” was first published in 1989. It went on to generate two additional manga editions, three anime film adaptations, an anime TV series and three videogames. The second anime film, “Ghost in the Shell 2: Innocence,” was released in the U.S. by DreamWorks in 2004.

And then there were none

Wednesday, April 16th, 2008

Ollie Johnston, the last of Disney’s Nine Old Men, has died at age 95:

Walt Disney lightheartedly dubbed his team of crack animators his “Nine Old Men,” borrowing the phrase from President Franklin D. Roosevelt’s description of the U.S. Supreme Court’s members, who had angered the president by quashing many of his Depression-era New Deal programs.

Although most of Disney’s men were in their 20s at the time, the name stuck with them for the rest of their lives.

Perhaps the two most accomplished of the nine were Johnston and his close friend Frank Thomas, who died in 2004 at age 92. The pair, who met as art students at Stanford University in the 1930s, were hired by Disney for $17 a week at a time when he was expanding the studio to produce full-length feature films. Both worked on the first of those features, 1937′s “Snow White and the Seven Dwarfs.”

Johnston and Thomas and their families became neighbors in the Los Angeles suburb of Flintridge, and during their 45-minute drive to the Disney Studios each day, they would devise fresh ideas for work.

Johnston worked as an assistant animator on “Snow White” and became an animation supervisor on “Fantasia” and “Bambi” and animator on “Pinocchio.”

He was especially proud of his work on “Bambi” and its classic scenes, including one depicting the heartbreaking death of Bambi’s mother at the hands of a hunter. That scene has brought tears to the eyes of generations of young and old viewers.

“The mother’s death showed how convincing we could be at presenting really strong emotion,” he remarked in 1999.

Johnston’s other credits included “Cinderella,” “Alice in Wonderland,” “Peter Pan,” “Lady and the Tramp,” “Sleeping Beauty,” “101 Dalmatians,” “Mary Poppins,” “The Jungle Book,” “The Aristocats,” “Robin Hood” and “The Rescuers.”

Johnston wrote a number of books with Frank Thomas, but their Illusion of Life is considered the bible of animation.

Gorilla Monsoon versus Muhammad Ali

Sunday, April 13th, 2008

I knew that Ali worked a match with Antonio Inoki. I had no idea that Muhammad Ali wrestled Gorilla Monsoon:

Here’s that Inoki match:

Adventures in Kerning

Friday, April 11th, 2008

The typographers at Hoefler & Frere-Jones share some of their Adventures in Kerning:

A kerning table, which makes special allowances for characters that don’t fit together naturally, can reveal a lot about the personality of its designer. Every font pays special attention to the pair Va, but the font that includes Vr suggests a familiarity with French (vraie) or Dutch (vrou). Pairs like Wn or Tx hint at an even broader perspective (Wnetrzne, Poland; Txipepovava, Angola), and the designer who kerns the ¥4 has presumably spent some time thinking about finance. Including ÅÇ is the mark of someone who’s trying too hard: these letters don’t nest together naturally, but nor do they appear together in any language.

When I first learned about kerning, mystifying to me was the presence of Yq in almost every one of Adobe’s fonts. Adobe’s early faces sometimes neglected far more common pairs, or even whole ranges of the character set — many fonts didn’t kern periods, dashes, or quotation marks — but Yq was ever-present. When I met him in the early nineties, Adobe’s Fred Brady hinted at why: located in northern California, Adobe’s designers often had a thing for viniculture, and one of the world’s most famous dessert wines is produced by Château D’Yquem.

The Game’s the Thing at MTV Networks

Friday, April 11th, 2008

The Game’s the Thing at MTV Networks:

No Old Media company has placed a more far-reaching bet on gaming. MTVN operates more than 5,000 mobile, console, and online games and virtual worlds — many of them based on TV shows such as MTV’s The Real World and Nickelodeon’s SpongeBob SquarePants. MTVN has even cut a deal to develop new titles with Hollywood über-producer Jerry Bruckheimer of CSI and Armaggedon fame. And this isn’t just about kids. The network is keen to hook the growing ranks of so-called casual gamers, including women old enough to have a couple of teenagers in the house.

The appeal of games is simple enough. They are addictive — like “digital crack,” says Jeffrey Yapp, an MTVN executive charged with developing new digital ventures. How addictive? Total time spent gaming online hit 11.4 billion minutes in December, up 27% over the previous year, according to Web-traffic tracker comScore. Only e-mail and shopping keep people online longer nowadays. “Of the traffic to our more than 300 Web sites,” says Mika Salmi, MTVN’s top digital executive, “we know nearly half [of the visitors] have played a game.”

MTVN started to ratchet up its game strategy three years ago with a series of acquisitions. The company has plowed $800 million into properties that appeal to a range of ages, from Neopets, a virtual world where kids create their own cartoon critters, to Harmonix Music Systems, which created the all-ages Rock Band, MTVN’s rival to the ultra-popular Guitar Hero. The network plans to spend an additional $500 million over the next couple of years buying new titles or building them from scratch.

Clay Shirky on High Dynamic Range Photography

Wednesday, April 9th, 2008

Clay Shirky was making a larger point, but I was intrigued by this mention of high dynamic range photography, which was new to me:

The community of practice that I love is the high dynamic range (HDR) photography people on Flickr. Back in the old days, if some new photographic technique came along, it would take 5-7 years to spread from someone’s photo studio to photo magazines, and finally to widespread visibility in Popular Photography, and the average darkroom.

You could see the high dynamic range technique, where you take multiple exposures of the same scene and combine them to get the brightest brights and the darkest darks, rip through Flickr, where people were posting these photos, and someone would come along, and say “Oh, my god, that’s the greatest photo I’ve ever seen, I love it. How did you do that?” And then you had these threads that were thousands and tens of thousands of words long with pointers to external software, and other people posting images in the thread that would help illustrate things.

This community sprung up around high dynamic range photography, and they essentially explained it to themselves in the course of about three months. HDR photography went from being something that a handful of people knew how to do to a general technique that any photographer who’s willing to spend an afternoon on Flickr could pick up and understand. And the speed of that spread wouldn’t work if money were involved.

Disney’s adapting Philip K. Dick’s "King of the Elves"

Wednesday, April 9th, 2008

I thought it was a bit odd that a couple of the guys from Undeclared would be doing the next Muppet movie. I thought it was even odder when I found out Disney was doing a Philip K. Dick adaptation. He is, after all, known for his dystopian worlds of corporations gone amok and for surreal metaphysical and theological themes — which drew on his own personal experiences with drugs and mental illness.

Nonetheless, he did write one light fantasy story ripe for a Shrek-like treatment. So, Quint reports, Disney’s adapting Philip K. Dick’s “King of the Elves”:

Walt Disney’s King of the Elves, based on the Philip K. Dick story about a gas station attendant who receives a knock on the door one rainy night. It’s a group of elves. Small, maybe a foot tall each. They are all green, with leaves and foliage growing off of them.

They beg him for shelter from the storm. Despite his better judgment he allows them to stay and as reward he is made king of the Elves.

Directed by Bob Walker and Aaron Blaise. It’s pretty far out from release, of course, but they showed some art. The elves I described a little above. The art was very painterly and the idea is that these little green buggers live in modern day Mississippi and have been undiscovered based on their appearance. With the leaves growing on their bodies if a human enters their domain they can just ruffle their foliage, duck their heads down and be completely undetectable.

There aren’t just small creatures in the forests. We saw art of huge moss covered man-like tree giants.

This list of Disney and Pixar’s Full Animated Line-Up Through 2012 sheds some more light on the subject:

Directed by: Aaron Blaise (Brother Bear) and Robert Walker (Brother Bear). Legendary storyteller Phillip [sic] K. Dick’s short story (his only experiment in the fantasy genre) becomes the basis for this fantastic and imaginative tale about an average man living in the Mississippi Delta, whose reluctant actions to help a desperate band of elves leads them to name him their new king. Joining the innocent and endangered elves as they attempt to escape from an evil and menacing troll, their unlikely new leader finds himself caught on a journey filled with unimaginable dangers and a chance to bring real meaning back to his own life.

If you’d like to read the original short story, it is in print, available in the Selected Stories of Philip K. Dick.

Long before we get to Pixar’s King of the Elves movie, we have WALL•E, which, of course, looks fantastic:

Pixar fans may want to pre-order The Art of WALL•E and DK’s WALL•E: The Intergalactic Guide.

Oh, and take a look at the Buy n Large corporate site.

Segel and Stoller take on Muppets

Wednesday, April 9th, 2008

Segel and Stoller take on Muppets:

Disney has enlisted scribe-thesp Jason Segel and helmer Nick Stoller to create the next Muppet movie for the studio.

Segel and Stoller will write the script and Stoller will direct.

Segel, who graduated from Apatow-produced skeins “Freaks and Geeks” and “Undeclared” got his first sole writing credit on the Apatow-produced “Forgetting Sarah Marshall.” Universal releases the pic, which Stoller directed, on April 18.

In “Sarah Marshall” Segel’s character writes a “Dracula” musical performed by puppets. Those cloth creatures were custom-made by the Henson puppeteers, and the experience emboldened Segel to pitch his concept for a Muppets movie when he was invited in for a general meeting with exec Kristin Burr. Segel got a deal in the room and enlisted Stoller to co-write and direct the project.

Segel and Stoller just made another U deal to co-write the comedy “Five-Year Engagement,” with Stoller helming and Segal starring.

Segel, from the CBS laffer “How I Met Your Mother,” next stars in “I Love You, Man” at DreamWorks.

In case you don’t immediately recognize Jason Segel and Nick Stoller, Segel played crazy boyfriend Eric in Undeclared, and Stoller wrote the episodes that focused on him.

This could be excellent. Or just really, really odd.

Absolut Revanchism

Sunday, April 6th, 2008



Mangan calls this recent Mexican ad for Absolut vodka Absolut Revanchism. In this day and age, did they think Americans wouldn’t see the ad? Wouldn’t care?

And why is the overlay in English? It seems like a wonderful April Fool’s joke, but it’s a few days too late.

Anyway, here’s the official apology:

We apologize
Posted Sunday, April 06, 2008, 7:38:29 PM

During the weekend we have received several comments on the ad published in Mexico. We acknowledge the reactions and debate and want to apologize for the concerns this ad caused. We are truly sorry and understand that the ad has offended several persons. This was not our intention. The ad has been withdrawn as of Friday April 4th and will not be used in the future.

In no way was the ad meant to offend or disparage, or advocate an altering of borders, lend support to any anti-American sentiment, or to reflect immigration issues.

To ensure that we avoid future similar mistakes, we are adjusting our internal advertising approval process for ads that are developed in local markets.

This is a genuine and sincere apology,

By Paula Eriksson, VP Corporate Communications, V&S Absolut Spirits

Addendum: How could I not recognize the perfect opportunity for this line: Who’s the ad wizard who came up with that one?

KROQ Roq of the 80s

Saturday, April 5th, 2008



Oh. My. Gawd. If that image means anything to you, you must listen to KROQ Roq of the 80s right now.

Wil Wheaton explains in more detail:

Well, for those of us who are determined to live in the past, when each day brought new episodes of The New Detective and Rodney on the Roq was introducing us to strange new acts like The Vandals and Dramarama, I present Kroq of the 80s. The playlist is what you’d expect from classic KROQ: Devo, Depeche Mode, INXS, Boingo, Blondie, etc., but what makes it truly awesome are the old station IDs and drops from classic KROQ personalities like Freddie Snakeskin and Scott Mason.

(Hat tip to GeekDad.)

Japanese Bar Codes

Saturday, April 5th, 2008

You have to love these creative Japanese Bar Codes:








"The PCR Song" by Scientists for Better PCR

Tuesday, April 1st, 2008

“The PCR Song” by Scientists for Better PCR is a clever viral ad for Bio-Rad’s 1000 Series Thermal Cyclers:

In case you want to sing along, here are the lyrics:

The PCR Song
There was a time when to amplify DNA,
You had to grow tons and tons of tiny cells.
Then along came a guy named Dr. Kary Mullis,
Said you can amplify in vitro just as well.
Just mix your template with a buffer and some primers,
Nucleotides and polymerases, too.
Denaturing, annealing, and extending.
Well it’s amazing what heating and cooling and heating will do.
PCR, when you need to detect mutations.
PCR, when you need to recombine.
PCR, when you need to find out who the daddy is.
PCR, when you need to solve a crime.
(repeat chorus)

(Hat tip to Mike — a while ago.)

Wikihistory

Tuesday, April 1st, 2008

Wikihistory is a (very) short story by Desmond Warzel that extends the notion of a wiki change log to a popular SF trope, time travel.

Take a look.

(Hat tip to Mike.)