Fear the Boom and Bust

Tuesday, January 26th, 2010

John Papola and Russ Roberts have created a shockingly good hip-hop video about macroeconomics. Really. Fear the Boom and Bust.

Sing along:

We’ve been going back and forth for a century
[Keynes] I want to steer markets,
[Hayek] I want them set free
There’s a boom and bust cycle and good reason to fear it
[Hayek] Blame low interest rates.
[Keynes] No, it’s the animal spirits

[Keynes Sings:]
John Maynard Keynes, wrote the book on modern macro
The man you need when the economy’s off track, [whoa]
Depression, recession now your question’s in session
Have a seat and I’ll school you in one simple lesson

BOOM, 1929 the big crash
We didn’t bounce back — economy’s in the trash
Persistent unemployment, the result of sticky wages
Waiting for recovery? Seriously? That’s outrageous!

I had a real plan any fool can understand
The advice, real simple — boost aggregate demand!
C, I, G, all together gets to Y
Make sure the total’s growing, watch the economy fly

We’ve been going back and forth for a century
[Keynes] I want to steer markets,
[Hayek] I want them set free
There’s a boom and bust cycle and good reason to fear it
[Hayek] Blame low interest rates.
[Keynes] No, it’s the animal spirits

You see it’s all about spending, hear the register cha-ching
Circular flow, the dough is everything
So if that flow is getting low, doesn’t matter the reason
We need more government spending, now it’s stimulus season

So forget about saving, get it straight out of your head
Like I said, in the long run — we’re all dead
Savings is destruction, that’s the paradox of thrift
Don’t keep money in your pocket, or that growth will never lift…

because…

Business is driven by the animal spirits
The bull and the bear, and there’s reason to fear its
Effects on capital investment, income and growth
That’s why the state should fill the gap with stimulus both…

The monetary and the fiscal, they’re equally correct
Public works, digging ditches, war has the same effect
Even a broken window helps the glass man have some wealth
The multiplier driving higher the economy’s health

And if the Central Bank’s interest rate policy tanks
A liquidity trap, that new money’s stuck in the banks!
Deficits could be the cure, you been looking for
Let the spending soar, now that you know the score

My General Theory’s made quite an impression
[a revolution] I transformed the econ profession
You know me, modesty, still I’m taking a bow
Say it loud, say it proud, we’re all Keynesians now
We’ve been goin’ back n forth for a century

[Keynes] I want to steer markets,
[Hayek] I want them set free
There’s a boom and bust cycle and good reason to fear it
[Keynes] I made my case, Freddie H
Listen up , Can you hear it?

[Hayek sings:]

I’ll begin in broad strokes, just like my friend Keynes
His theory conceals the mechanics of change,
That simple equation, too much aggregation
Ignores human action and motivation

And yet it continues as a justification
For bailouts and payoffs by pols with machinations
You provide them with cover to sell us a free lunch
Then all that we’re left with is debt, and a bunch

If you’re living high on that cheap credit hog
Don’t look for cure from the hair of the dog
Real savings come first if you want to invest
The market coordinates time with interest

Your focus on spending is pushing on thread
In the long run, my friend, it’s your theory that’s dead
So sorry there, buddy, if that sounds like invective
Prepared to get schooled in my Austrian perspective
We’ve been going back and forth for a century

We’ve been goin’ back n forth for a century
[Keynes] I want to steer markets,
[Hayek] I want them set free
There’s a boom and bust cycle and good reason to fear it
[Hayek] Blame low interest rates.
[Keynes] No,it’s the animal spirits

The place you should study isn’t the bust
It’s the boom that should make you feel leery, that’s the thrust
Of my theory, the capital structure is key.
Malinvestments wreck the economy

The boom gets started with an expansion of credit
The Fed sets rates low, are you starting to get it?
That new money is confused for real loanable funds
But it’s just inflation that’s driving the ones

Who invest in new projects like housing construction
The boom plants the seeds for its future destruction
The savings aren’t real, consumption’s up too
And the grasping for resources reveals there’s too few

So the boom turns to bust as the interest rates rise
With the costs of production, price signals were lies
The boom was a binge that’s a matter of fact
Now its devalued capital that makes up the slack.

Whether it’s the late twenties or two thousand and five
Booming bad investments, seems like they’d thrive
You must save to invest, don’t use the printing press
Or a bust will surely follow, an economy depressed

Your so-called “stimulus” will make things even worse
It’s just more of the same, more incentives perversed
And that credit crunch ain’t a liquidity trap
Just a broke banking system, I’m done, that’s a wrap.

We’ve been goin’ back n forth for a century
[Keynes] I want to steer markets,
[Hayek] I want them set free
There’s a boom and bust cycle and good reason to fear it
[Hayek] Blame low interest rates.
[Keynes] No,it’s the animal spirits

“The ideas of economists and political philosophers, both when they are right and when they are wrong, are more powerful than is commonly understood. Indeed the world is ruled by little else. Practical men, who believe themselves to be quite exempt from any intellectual influence, are usually the slaves of some defunct economist.”
John Maynard Keynes
The General Theory of Employment, Interest and Money

“The curious task of economics is to demonstrate to men how little they really know about what they imagine they can design.”
F A Hayek
The Fatal Conceit

Download the song in MP3 or AAC.

Trooper in a Strange Land

Tuesday, January 26th, 2010

I did not realize that Heinlein was in the middle of writing his “hippie” classic, Stranger in a Strange Land, when he decided to write his “fascist” classic, Starship Troopers:

When Robert A. Heinlein opened his Colorado Springs newspaper on April 5, 1958, he read a full-page ad demanding that the Eisenhower administration stop testing nuclear weapons. The science-fiction author was flabbergasted. He called for the formation of the Patrick Henry League and spent the next several weeks writing and publishing his own polemic that lambasted “Communist-line goals concealed in idealistic-sounding nonsense” and urged Americans not to become “soft-headed.”

Then Heinlein made an important professional decision. He quit writing the manuscript he had been working on — eventually it would become one of his best-known books, Stranger in a Strange Land — and started work on a new novel. Starship Troopers was published the next year, and it quickly became perhaps the most controversial sci-fi tale of all time. Critics labeled Heinlein everything from a Nazi to a racist. “The ‘Patrick Henry’ ad shocked ’em,” he wrote many years later. “Starship Troopers outraged ’em.”

What Writing and Reading Used to be Like

Sunday, January 24th, 2010

To dip into the Decline and Fall is to know what writing and reading used to be like, Robert Kaplan says:

Gibbon’s elliptical elegance is rare in an age when a surfeit of information, coupled with the distractions of electronic communication, forces writers to move briskly from one point to another.

Rare, too, in an age of tedious academic specialty are Gibbon’s sweeping yet valuable generalizations. When Gibbon describes everyday people in poor nations as exhibiting a “carelessness of futurity,” he exposes one tragic effect of underdevelopment in a way that many more-careful and polite tomes of today do not.

Our academic clerisy, I’m sure, could point out factual inadequacies, along with examples of cultural bias, throughout the Decline and Fall. Yet nothing on the shelves today will give readers as awe-inspiring a sense of spectacle as the Decline and Fall: of how onrushing events almost everywhere — Europe, Africa, the Near East, Asia — so seamlessly weave together. At a time of sound bites on one hand and 500-page yawns about a single issue on the other, here, blessedly, is something for the general reader.

(Is it ironic to cite that snippet in a blog post?)

Ayn Rand’s Disagreeable Niche

Sunday, January 24th, 2010

Arnold Kling describes Ayn Rand’s niche:

  1. In terms of the psychological factor known as Agreeableness, I speculate that people who tend to lean libertarian tend to be low relative to the average person. We place relatively low value on going along to get along.
  2. Those of us who are low on Agreeableness really resent situations in which Agreeableness confers high status. When we think that guys are winning approval, status, and girls by expressing nice-sounding political opinions, we get ticked off.
  3. Rand makes a virtue out of being low on Agreeableness. This is almost unique in literature. Few other writers, if any, use their writing to express and advocate for low Agreeableness. Instead, most writers either are dispassionate or are strongly Agreeable. When people who are low on Agreeableness encounter Rand, they feel that they have found a rare soulmate.
  4. In my own life, I have had to work very hard to overcome my low Agreeableness. I can think of many situations in which I failed to do so, at some cost to my position on the career ladder. To this day, people with very high status trigger my disagreeableness in ways that I cannot really control (see my posts on Jonathan Gruber).
  5. I encountered Rand’s work relatively late in life. My reactions were mixed.
  6. One could argue that my own writing is aimed at the same niche. Perhaps it is all an elaborate justification for low agreeableness.

Robert E. Howard and the Pacific Fleet

Saturday, January 23rd, 2010

Robert E. Howard would have been 104 years old yesterday, if (a) he hadn’t killed himself, (b) none of his imagined enemies did either, and (c) he had mastered black sorcery enough to defy the ravages of time.

Unlike many modern fantasy writers, Howard had to read history and historical fiction to sate his yearnings for adventure, and he knew a thing or two about war — as evidenced by his thoughts on the Pacific fleet, which he put down in a letter to H.P. Lovecraft, in December of 1932:

Considering the Philippines — if we were allowed to fortify them, they would be a strength. As it is, they’re a weakness. Instead of being a rifle aimed at the heart of Japan (as would be the case were they fortified and a goodly portion of our Pacific fleet stationed there), they tend to divide our forces, to scatter our lines, and to subject American citizens to danger, in case of war with Japan. I think it would be a point of strategy to abandon those islands entirely, and concentrate our forces about Hawaii. That Japan would gobble them is certain, but I scarcely think they would add much to her ultimate strength, increased as it is so enormously by her grabbing of Manchuria.

A Standard for Literary Bravery

Friday, January 22nd, 2010

Gibbon’s Decline and Fall sets a standard for literary bravery, Robert Kaplan says:

He sought no one’s approval and was afraid of nothing. In his day the Church was a sacred cow; he was merciless in his exposition of its evolution. According to Gibbon, Christianity — to use the words of the historian Hugh Trevor-Roper in his introduction to the Decline and Fall — emerged from a “heretical Jewish sect” to become a “novel cult of virginity” and the most “persistent of the competing new Oriental superstitions,” eventually to capture power as a “revolutionary ideology.” Concerning the persecutions of the Christians, Gibbon concluded, after exhaustive documentation,
Even admitting, without hesitation or inquiry, all that history has recorded, or devotion has feigned, on the subject of martyrdoms, it must still be acknowledged that the Christians, in the course of their intestine dissensions, have inflicted far greater severities on each other than they had experienced from the zeal of infidels.

Not surprisingly, the publication of the Decline and Fall met with bitter controversy. Though the book was praised by the philosopher David Hume and others, attacks on Gibbon for his treatment of the Church were widespread and sustained: almost sixty denunciatory books about him were published in his lifetime.

In Defense of James Cameron

Thursday, January 21st, 2010

Steve Sailer loved Terminator and Aliens, and he’s a bit of a contrarian, so I shouldn’t have been surprised when he wrote a piece in defense of James Cameron — but calling Cameron a worthy successor to the greatest American science fiction writer, Robert A. Heinlein (1907-1988) strikes me as going a bit too far:

Heinlein’s thumbprints can be found all over Avatar’s pastiche of a plot. For instance, the device that launches Cameron’s scenario — one identical twin must substitute at the last minute for his brother on an interstellar voyage — is also in Heinlein’s 1956 novel Time for the Stars. Moreover, Avatar appears to borrow one of its central ideas — Pandora, a planet where the entire ecosystem is a single living network exchanging information — from the climax of Heinlein’s 1953 book for boys, Starman Jones.

Indeed, Avatar’s main plot — a human soldier teams up with a seemingly primitive but actually wise alien tribe to prevent an evil Earthling mining company from despoiling their sacred tropical homeland — an be found in Heinlein’s 1948 “young adult” story Space Cadet.

This is not to say Cameron is plagiarizing Heinlein. Rather, Heinlein’s ideas are part of the creative DNA of every artist working in hard sci-fi.

Further, Cameron is confronted with the same storytelling problem as Heinlein: they both love giant machines, but audiences don’t want to see the overdog win. Heinlein used a more convoluted variant of the Avatar plot in both Red Planet (1949) and Between Planets (1951). In these, the heroes are human settlers on Mars or Venus who enlist the admirable indigenous aliens in their fight for planetary independence from the oligarchic rulers of Earth.

In Heinlein’s books, it’s as if the American Revolution saw the American settlers allying with the American Indians to defeat King George. (The reality, of course, was closer to the opposite. As the Declaration of Independence’s reference to “merciless Indian Savages” suggests, “democracy” and “indigenous rights” are more antonyms than synonyms.) Not surprisingly, Cameron, who was born and raised through age 16 in Canada, can’t be bothered with Heinlein’s contortions, so Avatar is politically simpler than its sources in the Heinlein canon.

Something Borrowed, Something Blue

Monday, January 18th, 2010

The premise of James Cameron’s Avatar — a wheel-chair-bound man controlling a genetically engineered creature — comes from Poul Anderson’s classic novella, Call Me Joe, while the trite story of a white messiah going native comes from any number of movies, Dances with Wolves most notably. What I did not realize was that the names of the lush planet and its inhabitants both come from a Russian science-fiction series, The World of Noon:

Cinema audiences in Russia have been quick to point out that Avatar has elements in common with The World of Noon, or Noon Universe, a cycle of 10 bestselling science fiction novels written by the Strugatskys in the mid-1960s.

It was the Strugatskys who came up with the planet Pandora — the same name chosen by Cameron for the similarly green and lushly forested planet used as the spectacular backdrop to Avatar. The Noon Universe takes place in the 22nd century. So does Avatar, critics have noticed.

And while there are clear differences between the two Pandoras, both are home to a similarly named bunch of humanoids — the Na’vi in Cameron’s epic, and the Nave in Strugatskys’ novels, read by generations of Soviet teenagers and space-loving scientists and intellectuals.

Book Of Eli Reboots Zardoz

Saturday, January 16th, 2010

I have never watched the post-apocalyptic cult-classic, Zardoz — which is infamous, more than anything, for putting Sean Connery in a truly terrible costume — but I was intrigued to find out that Denzel Washington’s Book Of Eli “reboots” Zardoz — and arguably misses the point, by changing the “zinger” ending, which the original title hints at.

Space 2099

Thursday, January 14th, 2010

I only have the vaguest recollections of Space 1999, but now it has been “rebooted” as Space 2099 — unofficially:

A Space 1999 fan named Eric Bernard has boiled down most episodes of the first three seasons of the show into easy-to-watch chunks of 2-3 minutes each. And he’s added more effects, attempted to create better continuity, and even edited dialogue so that everybody says they’re in 2099 instead of 1999. Essentially, he’s made the show addictively watchable again.

For each episode Bernard supplies a summary and explains what he’s changed:

This episode contains several modifications the major one being at the crucial moment when the second nuclear waste dump explodes. This event now creates a rupture in the fabric of space sucking the moon into its void and propulsing it into an uncharted area of the universe. At the end, the decision to stay on Moonbase Alpha is now a more obvious one and John Koenig alone assumes responsibility. Fans will also notice that the travel tube has been adapted to look more accurate with the actual studio set and that the Meta signal has been removed to be re-used in another context later in the series.

The Straw Ghosts of Christmas Past, Present, and Future

Tuesday, January 12th, 2010

Annotated Christmas Carol by Charles DickensI haven’t read much Dickens, and I hadn’t read any in years — decades, really — but I recently finished reading a beautifully annotated version of A Christmas Carol that I received as a gift.

Now, even as a kid in school I understood that Dickens was a social reformer — which was presented as an unalloyed good, by the way — but reading A Christmas Carol as an adult, I can’t help but dwell on the fact that the whole thing is a transparent effort to prop up a conservative straw man and to knock him back down again — and light him on fire, too, I suppose.

Scrooge is a miser and a misanthrope, and Dickens makes every effort to associate miserliness and misanthropy with conservatives like Edmund Burke, with economists like Thomas Malthus, and with anyone else who might dare to suggest that the world does not run on wishful thinking.

It does not take long for him to get down to it. In the second paragraph of the first chapter — Stave 1, in Dickens’ “carol in prose” — he makes a sarcastic reference to the wisdom of our ancestors. That’s a not-so-subtle jab at Edmund Burke‘s Speech on Conciliation with the American Colonies:

I set out with a perfect distrust of my own abilities, a total renunciation of every speculation of my own, and with a profound reverence for the wisdom of our ancestors, who have left us the inheritance of so happy a Constitution and so flourishing an empire, and, what is a thousand times more valuable, the treasury of the maxims and principles which formed the one and obtained the other.

Apparently Dickens had a series of fake books made up for his own Wisdom of Our Ancestors library shelf: Ignorance, Superstition, The Block, etc.

When Scrooge’s nephew invites him to dinner, Scrooge says that he will indeed come to see him — in Hell. This is censored, of course, but you get the idea:

Scrooge said that he would see him — yes, indeed he did. He went the whole length of the expression, and said that he would see him in that extremity first.

This is all just a set-up though:

But why? cried Scrooge’s nephew. Why?

Why did you get married? said Scrooge.

Because I fell in love.

Because you fell in love! growled Scrooge, as if that were the only one thing in the world more ridiculous than a merry Christmas. Good afternoon!

In an era before modern contraception — and “loose” morals — not getting married was birth-control, and “sensible” people understood that a man should not marry until he could support a family.

But that kind of cold, economical thinking gets ascribed to a man who tells his nephew to go to Hell for inviting him to Christmas dinner.

We’re just getting warmed up though for the visit from the warm-hearted souls collecting charity for the poor:

At this festive season of the year, Mr Scrooge, said the gentleman, taking up a pen, it is more than usually desirable that we should make some slight provision for the Poor and destitute, who suffer greatly at the present time. Many thousands are in want of common necessaries; hundreds of thousands are in want of common comforts, sir.

Are there no prisons? asked Scrooge.

Plenty of prisons, said the gentleman, laying down the pen again.

And the Union workhouses? demanded Scrooge. Are they still in operation?

They are. Still, returned the gentleman, I wish I could say they were not.

The Treadmill and the Poor Law are in full vigour, then? said Scrooge.

Both very busy, sir.

Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course, said Scrooge. I’m very glad to hear it.

Under the impression that they scarcely furnish Christian cheer of mind or body to the multitude, returned the gentleman, a few of us are endeavouring to raise a fund to buy the Poor some meat and drink, and means of warmth. We choose this time, because it is a time, of all others, when Want is keenly felt, and Abundance rejoices. What shall I put you down for?

Nothing! Scrooge replied.

You wish to be anonymous?

I wish to be left alone, said Scrooge. Since you ask me what I wish, gentlemen, that is my answer. I don’t make merry myself at Christmas and I can’t afford to make idle people merry. I help to support the establishments I have mentioned: they cost enough: and those who are badly off must go there.

Many can’t go there; and many would rather die.

If they would rather die, said Scrooge, they had better do it, and decrease the surplus population. Besides — excuse me — I don’t know that.

But you might know it, observed the gentleman.

It’s not my business, Scrooge returned. It’s enough for a man to understand his own business, and not to interfere with other people’s. Mine occupies me constantly. Good afternoon, gentlemen!

Dickens seems to feel that the poor are innocent victims and that there’s nothing to be gained by punishing them for being poor — which is interesting in light of his own early life experience:

John Dickens’s tenuous prosperity as a clerk in the Navy Pay Office afforded a few years of private education of the young Charles at William Giles’s School, in Chatham.

This period came to an abrupt end after John Dickens had spent beyond his means in entertaining and otherwise maintaining his social position, and was imprisoned in the Marshalsea debtor’s prison. [...] Dickens later used the prison as a setting in Little Doritt.

Just before his father’s arrest, 12-year-old Dickens had begun working ten-hour days at Warren’s Blacking Warehouse, on Hungerford Stairs, near the present Charing Cross railway station. He earned six shillings a week pasting labels on jars of shoe polish. This money paid for his lodgings with Mrs. Roylance and helped support his family.

Mrs. Roylance, Dickens later wrote, was “a reduced old lady, long known to our family”, and whom he eventually immortalized, “with a few alterations and embellishments”, as “Mrs. Pipchin”, in Dombey & Son. Later, lodgings were found for him in a “back-attic…at the house of an insolvent-court agent, who lived in Lant Street in The Borough…he was a fat, good-natured, kind old gentleman, with a quiet old wife; and he had a very innocent grown-up son; these three were the inspiration for the Garland family in The Old Curiosity Shop.

The mostly unregulated, strenuous — and often cruel — work conditions of the factory employees (especially children) made a deep impression on Dickens. His experiences served to influence later fiction and essays, and were the foundation of his interest in the reform of socio-economic and labour conditions, the rigours of which he believed were unfairly borne by the poor.

More than anything, he seems bitter that he went from studying to be a little gentleman to working as a common labourer — when it wasn’t his fault.

Anyway, the whole “carol” recoils at the conclusions of Malthus, while nonetheless centering on a family without the means to support its many children. Bob Cratchit apparently has no better options than to work for Scrooge — which seems odd, for a finance clerk working in London — and Scrooge does not pay him enough to feed and clothe his family. At his current salary, he cannot afford to keep all six children, including the crippled Tiny Tim, alive and well. Thus, Tiny Tim is destined to die — despite asking God to bless us, every one — until Scrooge has his change of heart and increases Cratchit’s pay.

I guess we’re not supposed to ask, What if the Cratchits had waited a year or two to get married?, as Scrooge must certainly have suggested. Then they would have had five children, not six, all well fed and well clothed, and we wouldn’t have had to wipe away the tears thinking about poor Tiny Tim.

But I guess it’s better to feel bad, gloriously bad, about the Poor, than to avoid the problem in the first place. Avoiding the problem is heartless and cruel.

Jimmy Fallon and The Muppets Sing "12 Days of Christmas"

Tuesday, January 12th, 2010

For his Christmas episode, Jimmy Fallon sang “12 Days of Christmas” with the Muppets (and the Roots):

The “original” version featured John Denver and appeared on the album A Christmas Together and on the 1979 TV special A Christmas Together with John Denver and The Muppets — which does not appear to be available on DVD. Sigh.

I miss Jim Henson’s voice, of course, but I must admit that I like Pepe the Prawn and Rizzo the Rat.

The song has a number of variations:

It has been suggested by a number of sources over the years that the pear tree is in fact supposed to be perdrix, French for partridge and pronounced per-dree, and was simply copied down incorrectly when the oral version of the game was transcribed. The original line would have been: “A partridge, une perdrix.”

Some misinterpretations have crept into the English-language version over the years. The fourth day’s gift is often stated as four calling birds but originally was four colly birds, using another word for a blackbird.

The fifth day’s gift of gold rings refers not to jewellery but to ring-necked birds such as the ring-necked pheasant. When these errors are corrected, the pattern of the first seven gifts all being birds is restored. There is a version of “The Twelve Days of Christmas” that is still sung in Sussex in which the four colly birds are replaced by canaries.

A minor variant includes the singing of “golden” rather than “gold” rings, to avoid having to stretch “gold” into two syllables (“go-old”).

John Stossel’s Show on Atlas Shrugged

Monday, January 11th, 2010

I find it difficult to watch popular commentary shows, even in the rare case, like John Stossel’s show on Atlas Shrugged, where I don’t despise both sides of the debate:

If you’re going to make the case for Rand’s ideas, to a popular audience feeling betrayed by Wall Street, I think you need to clarify that the heroes of Atlas Shrugged aren’t “the rich” — the Paris Hiltons of the world — but the productive. The villains of the work are wealthy businessmen too — businessmen who use government to their own ends.

White Messiahs in Film and History

Sunday, January 10th, 2010

David Brooks laments that Avatar is just another White Messiah fable:

This is the oft-repeated story about a manly young adventurer who goes into the wilderness in search of thrills and profit. But, once there, he meets the native people and finds that they are noble and spiritual and pure. And so he emerges as their Messiah, leading them on a righteous crusade against his own rotten civilization.

Avid moviegoers will remember A Man Called Horse, which began to establish the pattern, and At Play in the Fields of the Lord. More people will have seen Dances With Wolves or The Last Samurai.

White Messiahs exist in history too, Steve Sailer adds:

By the way, during WWII, anthropologist Carleton Coon was officially assigned by the O.S.S. to be the White Messiah of North Africa, Lawrence of Morocco, if the Germans transited Spain and landed an army behind the U.S. Army. Coon, the kind of two fisted brawler admired by barbarians, was to take to the hills and rally his friends in the Rif Mountain tribes to fight irregular war against the Germans.
[...]
There are more than a few White Messiahs in history, besides Lawrence. Latin American history abounds with White Messiahs. For example, Subcommandante Marcos, the mysterious and charismatic masked leader of the 1994 Chiapas Indian rebellion in southern Mexico, is the Mexico City college professor son of parents who were born in Spain. Originally, Mayan Indians were supposed to be the press spokesmen for this postmodern rebellion, but the Mayans failed to dazzle on the first TV announcement, so the tall white guy in the ski mask took over the airtime and became the face/mask of this movement for Indian rights.

The leader of the Shining Path guerillas in Peru was a white philosophy professor named Abimael Guzman.

Fidel Castro’s father was born in Spain.

Che Guevara, who fought in Cuba, Congo and Bolivia, was a half Irish and half aristocratic Spanish Argentine. At the end of The Motorcycle Diaries, Che (played by Gael Garcia Bernal) experiences an epiphany: “We are a single mestizo race, from Mexico to the Magellan Straits.” But, Che’s father noted: “In my son’s veins flowed the blood of the Irish rebels. Che inherited some of the features of our restless ancestors… which drew him to distant wandering, dangerous adventures, and new ideas.”

100 Quotes Every Geek Should Know

Friday, January 8th, 2010

Ken Denmead has compiled 100 quotes every geek should know — and quibble over. Some examples:

  1. “Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.” — Dennis the Peasant, Monty Python and the Holy Grail
  2. “Three rings for the Elven kings under the sky, seven for the Dwarf lords in their halls of stone, nine for the mortal men doomed to die, one for the Dark Lord on his dark throne, in the land of Mordor where the shadows lie. One ring to rule them all, one ring to find them, one ring the bring them all, and in the darkness bind them. In the land of Mordor where the shadows lie.” — LOTR
  3. “I’m sorry, Dave. I’m afraid I can’t do that.” — HAL, 2001: A Space Odyssey
  4. “Spock. This child is about to wipe out every living thing on Earth. Now, what do you suggest we do….spank it?” — Dr. McCoy, Star Trek: The Motion Picture
  5. “With great power there must also come — great responsibility.” — Amazing Fantasy #15 (August 1962)
  6. “If you can’t take a little bloody nose, maybe you oughtta go back home and crawl under your bed. It’s not safe out here. It’s wondrous, with treasures to satiate desires both subtle and gross; but it’s not for the timid.” — Q, Star Trek: The Next Generation “Q Who?”
  7. “Five card stud, nothing wild. And the sky’s the limit” — Captain Jean Luc Picard, uttering the last line of the series, Star Trek: The Next Generation “All Good Things…”
  8. “If you think that by threatening me you can get me to do what you want… Well, that’s where you’re right. But — and I am only saying that because I care — there’s a lot of decaffeinated brands on the market that are just as tasty as the real thing.” — Chris Knight, Real Genius
  9. “We’re all very different people. We’re not Watusi. We’re not Spartans. We’re Americans, with a capital ‘A’, huh? You know what that means? Do ya? That means that our forefathers were kicked out of every decent country in the world. We are the wretched refuse. We’re the underdog.” — John Winger, Stripes
  10. “If I’m not back in five minutes, just wait longer.” — Ace Ventura, Ace ventura, Pet Detective