Neill Blomkamp’s Malthusian fable of post-Apartheid Johannesburg

Friday, August 21st, 2009

Steve Sailer calls District 9 Neill Blomkamp’s Malthusian fable of post-Apartheid Johannesburg:

The American press constantly refers to District 9 as an “apartheid allegory,” but the 29-year-old Blomkamp was ten when Nelson Mandela was released. Blomkamp’s press statements can hardly be more explicit that the movie is largely a post-apartheid parable about illegal immigration and Malthusian despair.

In fact, Blomkamp is personally a victim of the gradual ethnic cleansing of southern Africa. Rampant crime under the new black government drove his family from Johannesburg to British Columbia in 1997.

But Americans just don’t get it because they haven’t paid attention to South Africa since 1994, when Nelson Mandela was elected President and then They All Lived Happily Ever After. Blomkamp told the Milwaukee Journal Sentinel, “Everybody in North America thinks of South Africa for white oppression of the black majority.” Yet, 15 years later, “what we’re not familiar with is this screwed-up Johannesburg setting.”

Just as 1981’s Road Warrior, with Mel Gibson as Mad Max, memorably re-imagined the defining Australian experience of living on an empty continent, District 9 symbolizes the lesson of Afrikaans history: on an increasingly full continent, the weak can eventually triumph over the strong by outbreeding them.

Venture Bros. Season 4 Trailer

Thursday, August 20th, 2009

I can only imagine what the Venture Bros. Season 4 Trailer looks like to the uninitiated:

Santa’s Video Game Workshop

Wednesday, August 19th, 2009

These images from Amusement‘s Made of Myth piece conjure up Santa’s Video Game Workshop — just add elves:

(Hat tip to Chris.)

Bunny Tales

Tuesday, August 18th, 2009

Izabella St James has written a book, Bunny Tales, about her time as one of Hugh Hefner’s girlfriends:

Being a Hefner Girlfriend was a specialised job, not to be confused with being a Playboy Playmate. In fact, Girlfriends were not allowed to become Playmates because Hef had found that they tended to flee the Mansion as soon as they collected their $25,000 Playmate cheque. Girlfriends were given their own bedroom, an allowance of $1,000 a week in cash, a new car, free dental and medical treatment, almost limitless clothes, hairdos, make-up and facials and all the cosmetic surgery they could wish for — Izabella reckons Hef shelled out $70,000 a year on breast implants.

It was a very generous deal in many ways, but it did have its drawbacks. First, there was a strict curfew, so unless you were out with Hef, you had to be back in the hutch by 9pm. Second, while you could order any food or drink you wanted, at any time, from one of the many Mansion “butlers”, you were not allowed into the kitchen, even for a glass of water. And third, of course, you had to live in the extraordinarily dingy Playboy mansion, where all the furniture was falling apart, the mattresses were stained and the carpets were covered in dog poo. I remember visiting it in the early Nineties and being struck by its shabbiness then, and evidently it was the same or worse when Izabella moved in. Part of the trouble might be that Hef does not actually own the mansion; he has to rent it, room by room, from Playboy Enterprises and, according to Izabella, pays $25,000 a month for his own bedroom.

But the real drawback was Hef. Stuck in his perpetual Groundhog Day, padding around in his pyjamas, eating all his meals in bed, watching the same classic films with the same old cronies night after night, going to the same bars — Las Palmas on Wednesdays, Barfly on Fridays — the only variation in the routine was restaurant night on Thursdays when the Girlfriends were allowed to choose where they went. But even so, Hef always took his own food, lamb chops. And even when they went out for parties or special occasions such as the Grammys, Hef would only stay long enough to have his photo taken before herding all the Girlfriends back into the car. Surrounded by phalanxes of security men, and roped off in VIP ghettos, they never had the chance to meet anyone.

The girlfriends weren’t all friends, and Izabella got kicked out of the house just before the enemy faction went on to star in The Girls Next Door.

Toby Danger

Thursday, August 13th, 2009

If you grew up on too much Johnny Quest as a kid, might I suggest Toby Danger in “Doomsday Bet” — from the first season of Freakazoid:

I just learned that it wasn’t originally intended for Freakazoid though:

“Toby Danger” wasn’t actually created for “Freakazoid!,” though. Tom Minton, a writer for “Animaniacs” who specialized in parodies of other genres and styles of cartoon (he’d done a famous episode of “The New Adventures of Mighty Mouse” incorporating vicious send-ups of other cartoon series), came up with the idea to do an elaborate parody of “Jonny Quest.” The names would be changed, the character designs would be different, and even some of the characters would be entirely different (instead of Hadji, we got a teenage girl named Sandra Danger), but the inspiration would be obvious. The “Toby Danger” cartoon was written and storyboarded, but it wasn’t put into production because no one could figure out where to put it: the limited-animation, non-cartoony style it required wouldn’t have fit in with the very cartoony style of “Animaniacs.”

Then “Freakazoid!” was suddenly revamped from a straightforward adventure-comedy into an out-and-out comedy, and with very little time to produce the new series, the producers were putting in just about anything they could to get 13 episodes ready in time. So “Toby Danger,” with a script and storyboard ready to go, was put into production and aired as part of the second episode of “Freakazoid!” Some people liked it better than the rest of the show; me, I liked it all.

As storyboarded by Brian Chin and Butch Lukic (who are both caricatured in the cartoon, along with Minton), it’s a great-looking cartoon (though a lot of retakes apparently had to be done because the overseas studio initially didn’t make the animation limited enough), perfectly capturing the style and look of “Jonny Quest,” and all the infamous things like the casual racism (“Heads up, you heathen monkeys!”) and the scream everybody lets out when anything bad happens (“Aieee!”). But What makes “Toby Danger” a great parody is that it goes beyond just mimicking the style and look of the show and actually attacks the themes and messages of the original show.

No Brown M&Ms

Monday, August 10th, 2009

Rock superstars Van Halen infamously included a no brown M&Ms clause in their concert contracts — but this was not an example of egomaniacal rock stars running amok, as David Lee Roth explains:

Van Halen was the first band to take huge productions into tertiary, third-level markets. We’d pull up with nine eighteen-wheeler trucks, full of gear, where the standard was three trucks, max. And there were many, many technical errors — whether it was the girders couldn’t support the weight, or the flooring would sink in, or the doors weren’t big enough to move the gear through.

The contract rider read like a version of the Chinese Yellow Pages because there was so much equipment, and so many human beings to make it function. So just as a little test, in the technical aspect of the rider, it would say “Article 148: There will be fifteen amperage voltage sockets at twenty-foot spaces, evenly, providing nineteen amperes…” This kind of thing. And article number 126, in the middle of nowhere, was: “There will be no brown M&M’s in the backstage area, upon pain of forfeiture of the show, with full compensation.”

So, when I would walk backstage, if I saw a brown M&M in that bowl… well, line-check the entire production. Guaranteed you’re going to arrive at a technical error. They didn’t read the contract. Guaranteed you’d run into a problem. Sometimes it would threaten to just destroy the whole show. Something like, literally, life-threatening.
[...]
The folks in Pueblo, Colorado, at the university, took the contract rather kinda casual. They had one of these new rubberized bouncy basketball floorings in their arena. They hadn’t read the contract, and weren’t sure, really, about the weight of this production; this thing weighed like the business end of a 747.

I came backstage. I found some brown M&M’s, I went into full Shakespearean “What is this before me?”… you know, with the skull in one hand… and promptly trashed the dressing room. Dumped the buffet, kicked a hole in the door, twelve thousand dollars’ worth of fun.

The staging sank through their floor. They didn’t bother to look at the weight requirements or anything, and this sank through their new flooring and did eighty thousand dollars’ worth of damage to the arena floor. The whole thing had to be replaced. It came out in the press that I discovered brown M&M’s and did eighty-five thousand dollars’ worth of damage to the backstage area.

Well, who am I to get in the way of a good rumor?

Air Power, Mithril and National Self-Confidence

Thursday, August 6th, 2009

Anomaly UK addresses the important issues — raised by one EKR — of Air Power, Mithril and National Self-Confidence:

As to the fellowship, I think an important point in considering the geopolitical situation of Third-Age Middle Earth is that the elves, after previous catastrophes, are in a kind of Vietnam Syndrome. They do not believe that any good can come of military action.

The Fellowship includes nobody from Rivendell. Aragon was a ward of Elrond but is engaging in the operation as part of his project of uniting the Northern and Southern kingdoms of Men. Legolas is a visitor from Mirkwood. Elrond explicitly considers and rejects the idea of sending elvish warriors.

Rivendell is not a city-state or city, but a house — “The last homely house West of the mountains”, as it is described in The Hobbit. It is something like a medieval manor house, inhabited by the Lord’s extended family and a few guests and retainers. It is not adequate as a base for military operations.

As for importing supplies from Lothlórien, as suggested by ekr, that is absurd. Not only was there no Fed-ex, long journeys were extremely rare and dangerous. Elrond’s wife Celebrían (Galadriel’s daughter) was captured by Orcs on a journey from Rivendell to Lórien, and the wilderness only became more dangerous since. There is no mention of merchants in The Lord of the Rings (the gathering of supplies to Isengard is the only trade I can think of), and the idea that the roads will be used by “messengers of the King, not bandits…” is a prediction made by Frodo after the fall of Mordor, in contrast to the past.

Possibly ekr was confused by the film, where Elrond and Arwen apparently teleport around Middle-Earth at random, and a mysterious Elvish army arrives from nowhere at Helm’s Deep. This was due to the filmmakers writing and rewriting the story, and having to use already-filmed scenes after changing their minds about the plot.

The only plot difficulty I saw along the lines of ekr’s objections was the low profile of the eagles. In both The Hobbit and The Lord of the Rings, the eagles appear as Deus ex Machina at the end to save the day: first in the Battle of the Five Armies, and then to rescue Frodo and Sam after the fall of Barad-dûr. In both cases it appears that they could have done a lot more good by getting involved earlier.

Even this problem I am no longer too worried by. Just because there is no air-to-air combat in Tolkien, one should not assume that air superiority is not a consideration. For most of the period of The Hobbit, there is a dragon in the Lonely Mountain, and the eagles only show up after it is killed by Bard. It seems highly probable that eagles would not wish to hang around where there was a dragon flying about.

Similarly, they only approach Mordor after Sauron, and with him the Nazgûl, have been defeated. An air defence system consisting of a Palantír-based DEW line plus winged nazgûl would probably be impenetrable. True, the winged nazgûl are only introduced once the fellowship have already sent out, but it is not unreasonable to suppose that Sauron had other airborne assets, and that the air at least in Eastern Middle-Earth was as dangerous as the ground.

It is explained by Gandalf, in The Quest of Erebor, that his involvement with Thorin’s expedition in The Hobbit was motivated by concerns over air-power — specifically that in a war, Smaug could be used to attack Lórien.

Peter Rabbit

Wednesday, August 5th, 2009

I never realized that Peter Rabbit was the first soft toy to be patented, in 1903, making him the first licensed character — although that doesn’t sound like it should be a patent but a trademark or copyright.

The Seven Habits of Highly Effective Pirates

Friday, July 31st, 2009

The Seven Habits of Highly Effective Pirates is a popular, but fictional, compilation of far more than seven rules, many of dubious value, featured in the web comic Schlock Mercenary — which I don’t (yet) read.

I enjoyed Rule 21:

Give a man a fish, feed him for a day. Take his fish away and tell him he’s lucky just to be alive, and he’ll figure out how to catch another one for you to take tomorrow.

(Hat tip to ERC Rodson, commenting on Somali piracy.)

The Demagogue and the Demi-Monde

Wednesday, July 22nd, 2009

In American English, John Rateliff notes, Dunsany’s The Demagogue and the Demi-Monde would probably be called The Politician & the Prostitute:

A demagogue and a demi-mondaine chanced to arrive together at the gate of Paradise. And the Saint looked sorrowfully at them both.

“Why were you a demagogue?” he said to the first.

“Because,” said the demagogue, “I stood for those principles that have made us what we are and have endeared our Party to the great heart of the people. In a word I stood unflinchingly on the plank of popular representation.”

“And you?” said the Saint to her of the demi-monde.

“I wanted money,” said the demi-mondaine.

And after some moments’ thought the Saint said: “Well, come in; though you don’t deserve to.”

But to the demagogue he said: “We genuinely regret that the limited space at our disposal and our unfortunate lack of interest in those Questions that you have gone so far to inculcate and have so ably upheld in the past, prevent us from giving you the support for which you seek.”

And he shut the golden door.

Rateliff adds:

It was tales such as this one, I think, that won him the admiration of Mencken, who thought of him more as a satirist than a fantasist. People always write about Dunsany’s elevated style, as if he had only one note in his repertoire, not realizing how good he was at plainspeech when he wanted to be; his best plays often juxtapose the two to good effect, as here.

Destination Moon

Wednesday, July 22nd, 2009

I recently watched Destination Moon, the 1950 film about — what else? — a manned rocket flight to the moon.

Unlike most 1950s sci-fi flicks, this is a work of serious science fiction with no rubber-suited monsters. Robert Heinlein contributed to the script and served as technical advisor — which might also explain why the atomic rocket gets built by private industry and launched early, against a local demagogue’s court order.

Because many concepts of space travel were so new to the public, the film features an expository film within a film, starring a major Hollywood actor — Woody Woodpecker:

Sean Bean as Lord Stark

Tuesday, July 21st, 2009

George R.R. Martin reports that Sean Bean has been cast as Lord Eddard Stark in HBO’s pilot of A Game of Thrones:

For the movie fans out there, Sean Bean needs no introduction. I mean, what the hell, he was Boromir and he was Sharpe, he was terrific in both roles, and in a hundred other parts besides.

Some E-Books Are More Equal Than Others

Friday, July 17th, 2009

Some e-books are more equal than others, David Pogue explains, in a story that had me checking the date to confirm that it’s not April 1:

This morning, hundreds of Amazon Kindle owners awoke to discover that books by a certain famous author had mysteriously disappeared from their e-book readers. These were books that they had bought and paid for — thought they owned.

But no, apparently the publisher changed its mind about offering an electronic edition, and apparently Amazon, whose business lives and dies by publisher happiness, caved. It electronically deleted all books by this author from people’s Kindles and credited their accounts for the price.

The “juicy, plump, dripping irony”:

The author who was the victim of this Big Brotherish plot was none other than George Orwell. And the books were “1984” and “Animal Farm.”

That makes it sound like a marketing gimmick.

Lovelace – The Origin

Thursday, July 16th, 2009

I can’t believe I just found out about Sydney Padua’s Lovelace comic. It feels like it was written specifically for me — Ada Lovelace and Charles Babbage fight crime! And economic collapse!

Quick, to the Difference Engine!

How Teenagers Consume Media

Monday, July 13th, 2009

Morgan Stanley’s European media analysts asked Matthew Robson, one of the bank’s 15-year-old interns from a London school, to describe his friends’ media habits:

His report proved to be “one of the clearest and most thought-provoking insights we have seen. So we published it,” said Edward Hill-Wood, head of the team.

None of his “findings” should be surprising:

“Teenagers do not use Twitter,” he pronounced. Updating the micro-blogging service from mobile phones costs valuable credit, he wrote, and “they realise that no one is viewing their profile, so their tweets are pointless”.

His peers find it hard to make time for regular television, and would rather listen to advert-free music on websites such as Last.fm than tune into traditional radio. Even online, teens find advertising “extremely annoying and pointless”.

Their time and money is spent instead on cinema, concerts and video game consoles which, he said, now double as a more attractive vehicle for chatting with friends than the phone.

Mr Robson had little comfort for struggling print publishers, saying no teenager he knew regularly reads a newspaper since most “cannot be bothered to read pages and pages of text” rather than see summaries online or on television.