Michael Lewis explains how Tom Wolfe became Tom Wolfe — when he left the South:
For the first time in his life, it appears, Tom Wolfe has been provoked. He has left home and found, on the East Coast, the perpetual revolt of High Culture against God, Country, and Tradition. He happens to have landed in a time and place in which art — like the economy that supports it — is essentially patricidal. It’s all about tearing up and replacing what came before. The young Tom Wolfe is intellectually equipped to join some fashionable creative movement and set himself in opposition to God, Country, and Tradition; emotionally, not so much. He doesn’t use his new experience of East Coast sophisticates to distance himself from his southern conservative upbringing; instead he uses his upbringing to distance himself from the new experience. He picks for his Ph.D. dissertation topic the Communist influences on American writers, 1928–1942. From their response to it, the Yale professors, who would have approved the topic in advance, had no idea of the spirit in which Wolfe intended to approach it:
Dear Mr. Wolfe:
I am personally acutely sorry to have to write you this letter but I want to inform you in advance that all of your readers reports have come in, and … I am sorry to say I anticipate that the thesis will not be recommended for the degree…. The tone was not objective but was consistently slanted to disparage the writers under consideration and to present them in a bad light even when the evidence did not warrant this.” [Letter from Yale dean to T.W., May 19, 1956.]
To this comes appended the genuinely shocked reviews of three Yale professors. It’s as if they can’t quite believe this seemingly sweet-natured and well-mannered southern boy has gone off half cocked and ridiculed some of the biggest names in American literature. The Yale grad student had treated the deeply held political conviction of these great American artists as — well, as a ploy in a game of status seeking.
[...]
He’d gone to Yale with the thought he would study his country by reading its literature and history and economics. He wound up discovering sociology — and especially Max Weber’s writings about the power of status seeking. The lust for status, it seemed to him, explained why otherwise intelligent American writers lost their minds and competed with one another to see just how devoted to the Communist cause they could be.