France’s Submission

Monday, March 9th, 2015

Anthony Daniels (Theodore Dalrymple) reviews Houellebecq’s Soumission:

Houellebecq is a writer with a single underlying theme: the emptiness of human existence in a consumer society devoid of religious belief, political project, or cultural continuity in which, moreover, thanks to material abundance and social security, there is no real struggle for existence that might give meaning to the life of millions. Such a society will not allow you to go hungry or to live in the abject poverty that would once have been the reward of idleness, whether voluntary or involuntary. This, in Houellebecq’s vision of the world, lends an inspissated pointlessness to all human activity, which becomes nothing more than a scramble for unnecessary consumer goods that confer no happiness or (at best) a distraction from that very emptiness. For Houellebecq, then, intellectual or cultural activity becomes mere soap opera for the more intelligent and educated rather than something of intrinsic importance or value. That is why a university teacher of economics in one of his books describes his work as the teaching of obvious untruths to careerist morons, rather than as, say, the awakening of young minds to the fascinating task of reducing the complexity of social interactions to general principles.

So brilliantly does Houellebecq describe the arduous vacuity of the life of his protagonists that one suspects (or knows?) that his books are strongly autobiographical, not in the shallow sense that the incidents in them are necessarily those that he has lived, but in the deeper sense that the whole of what one might call the feeling-tone of his protagonists is actually his. This tone is in a way worse than mere despair, which has at least the merit of strength and of posing a possible solution, namely suicide; the Houellebeckian mood is as chronic illness is to acute, an ache rather than a pain. In Soumission, for example, the protagonist, a university teacher of literature, describes his (and, implicitly by extension, our) daily life as but a succession of trivial, boring problems and imperative tasks that are the dark side, as it were, of modern convenience: “blocked washbasin, internet connection broken, speeding ticket, dishonest cleaning lady, mistake in tax return.” I doubt whether there is anybody — any middle class person at any rate — who will be unfamiliar with these irritations that can, if they accumulate, come so easily to dominate our thoughts and to color our attitude to life.

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